Thursday, September 11, 2008

Wedding Like The Stars

Wedding Videography is the new Photography. No a days all you hear about is how awesome Wedding Videography is. So what is it? Not everyone knows about it... yet! Let me give you some insight to how amazing Wedding Videography is and how much you'll want it at your picturesque Wedding day.

First off, Photography is great. You capture beautiful still shots that can be remembered forever. However, Videography is just a step above that. Not only can you capture amazing still shots of your beautiful Wedding day, but you are also able to hear voices, speeches, laughter, music, etc. Instead of seeing a still shot of you and your new spouse dancing that first dance together, you'll actually see the beautiful dance, your hear the emotional music, and will see the sweet tears.

Videography allows you in years to come to put the DVD into your player and watch the wedding day as if it was right before you. No more missing those small special moments anymore! With a Videographer rolling the camcorder at all times, you're sure to never miss a thing. Videographers are special people, who have to not only roll the camera, but has to make sure that the feeling and emotions felt that Wedding day is transferred over appropriately to film.

Taking footage and setting it to the music and style of your choice in the background, a Videographer goes though usually 16 hours of footage and brings back those special moments and emotional feelings by selecting scenes from the brides getting ready to the venue and shots of the decorations, to the ceremony, vows, tears, guests, dinner, first dance with your new spouse, dances with your parents, cake cutting, garter & bouquet toss, interviews with important guests and anything of importance that may have happened at your Wedding.

Many of the stars have started using Wedding Videography. Many interviews, one particular interview with a star, Christina Aguilera where she talks about how having a Wedding Videographer was the most important vendor to have at her wedding. Talking about how you can have your cake, flower, centerpieces, your dress, etc. But if you don't have someone to document your Wedding Day... all those things are worthless and wouldn't matter cause you wouldn't remember the Wedding day as it was ever again. I know many people that didn't have a Videographer at their Wedding and they say it was the worst mistake. Pictures are great.

However, Wedding Videography is just so much more. Videography is real, its people in motion, its spoken words, and its just real and that is so very important. Another option is if a guest at your Wedding video recorded parts of your Wedding, beg them for that footage! Once you've acquired the footage, take that footage to a Wedding Videographer and they can transfer that footage to a DVD for you and fix it so it becomes prettier, my stylish, and much more cinematic.

So don't let that happen to you! Make sure that the first vendor you acquire is a Wedding Videographer. You want to make sure you have one by your side to document the most special day of you life!

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Wednesday, September 10, 2008

Stage Fright

Can you remember the first time you ever saw belly dancing? Oh, I can and with my six year old eyes and mind I knew that this dance would definitely change my life forever. It took me awhile but by my early twenties I was starting on my path towards becoming a belly dancer. As a newcomer, belly dancing took over my days, nights and dreams. Than the day came when it was time to show my community what I had learned. That day was the first encounter I had with a very unusual and interesting foe. There are many of you reading this that will never forget your first performance. And I know there are many of you who can never forget your first encounter with "Stage Fright".

Stage Fright is very clever. It sneaks up on you just before you get on stage or you may wake up on the morning of your performance feeling like you shouldn't get out of bed. It is amazing how Stage Fright affects the body. My bladder turns into the size of a pea but only for that night. My heart is either trying to jump out of my throat or drop to my knees. Than my palms get sweaty and I feel like I need to take a nap all at the same time. And let's not forget the occasional break out. I can remember I was dancing for an anniversary party at a restaurant I use to perform at. I woke up the morning of the performance with this huge bump in the middle of my forehead. It wasn't there the day before and I took extra measures to make sure my skin was clear. You guessed it; Stage Fright had something to do with it. So what did I do? All I can say is thank God for bindis!

Stage Fright overloads the brain with images that really aren't there. The stage can either become larger or smaller depending on what false images Stage Fright creates in your brain. And the number one false image is the unfriendly audience. I have left the stage thinking the audience didn't like me only to find out afterwards that I was well received. I've experienced performances where I was ahead of my music. Did Stage Fright convince my music to slow down on me? Your guess is as good as mine. I know that Stage Fright has convinced my props to act up during past performances. And Stage Fright has convinced my memory to leave and not to come back until I finished my performance. Stage fright will whisper in your ear that the entire theater is watching you and that the audience knows you just messed up your choreography. And there have been a few times when I went deaf and didn't hear the audience applause at all. Actually I should say my hearing and memory went out the window together. And the one way to know if a dancer is experiencing Stage Fright is to see the look on her face that resembles a "deer caught in the headlights". If you see this look, do your best to support her and let her know she's doing a great.

So here are a few tips my friends and I came up with to help dancers overcome such a calculating adversary:

    1. Laugh with friends and think of whatever makes you happy.
    There is no failure in performing because if you don't go out on stage, you will never know what it feels like to be in front of an audience. People will always appreciate your efforts!
    2. Have family and friends in the front row to cheer you on. My Dad makes funny faces and he always makes me laugh.
    3. Know your music like the back of your hand. Even if you forget your choreography the music will be very familiar to you.
    4. Go over your choreography the morning of your performance and try to keep it fresh in your mind. I will usually listen to my music on the drive to wherever I am performing. It helps jazz me up and sometimes I'll come up with some interesting moves in my head. (Be careful of the belly dancer pedal to the metal groove!)
    5. Remember to practice your performance with your costume on. I have danced with a skirt that could fit a whole circus in it. 6. Remember to look in the mirror just before you go on stage and smile at the beautiful dancer looking back at you. (Plus it doesn't hurt to check to see if lipstick is on your teeth!)
    7. The stage really is our friend. Know the length and width of any space you are performing at.
    8. When we perform together we are part of an amazing team so know you have support and back up on the side lines. You are not alone!!
    9. A good meditation or prayer will always put a heart or soul at ease. Group prayer can really give you the boost you need and send Stage Fright running!
    10. Last but not least is Stage Frights final illusion which is the expectation of standing ovations and a movie deal your first time performing. Granted not all of you may have fallen for this but there was a part of me that saw stars, literally and figuratively.

If Stage Fright does creep in every once in awhile just remember to laugh. Some of the best memories I have with performing are my goofiest moments. And when I'm in my rocking chair remembering my dance career I want to be smiling from ear to ear (even if I have no teeth).

Blessings,

Leyla Naj

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The Magic of Socialism

Magic is an art of several kinds, we know. Generally, close up, conjuring, mentalism and stage shows are the categories. Sleights of hand and illusion magic (sleights on stage!) are yet another. Some even divide magic according to the props used - cards, coins, ropes or apparently bigger instruments and so on.

Classification becomes complex when it is done in terms of the effect produced: transformation, transposition, telepathy, vanishing, appearing and what not!

Have you ever noticed that even amid such a fascinating diversity, magic is an art of socialism? In magic, the trick you perform using a coin or a feat you accomplish using a huge illusion prop, leaves the same shock of amazement in the minds of the viewers. This is one aspect of that socialism.

Whatever preparations you do, how much you talk, whatever backdrops you use, to measure the value of your performance, the layman has got just one occasion: the moment when the effect emerges. Yes, nothing but only the effect prompts your spectators to certify the magic they see. If the effect fails, everything fails - the speech, the decors, the music, the costume, all turns vain.

A rich magician should not necessarily gain audience praise simply because he has invested a lot, unless he takes care of the beauty of his effects. A financially feeble magician, on the other hand, may earn more accolades simply for being so perfect with his effects. Thus magic upholds another aspect of socialism.

There was a magician, who at first used to get not the money he expected, but what the organizers decided. Undeterred, the magician invested a good part of his meager income for replenishing more cute effects. The demand increased. At last he got the ball in his court. He got that freedom to pick the most appropriate client and most legitimate fee. Remember, this is magical socialism. In magic opportunities are equal.

In magic, not the money, but your creativity makes you a prudent investor.

[Prepared by K.P. Sivakumar on behalf of magician Gopinath Muthukad as an editorial for June 2008 issue of Vismayam Magical News]

http://magicweekly.blogspot.com

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Tuesday, September 9, 2008

Istanbul at Night - 7 Things to Do After the Sun Goes Down

You've spent the entire day exploring Istanbul's mosques, monuments and palaces. You've walked through the remnants of Constantinople and the Byzantine and Ottoman Empires and you have the sore feet to prove it! You've returned to your quiet hotel room, had shower, rest and cup of Turkish tea. Now you're ready to hit the city again! But where to go in Istanbul after dark? Here are a few ideas on stepping out in Istanbul!

Bosphorus Cruise

If sore feet are a priority, enjoy an evening of food, drink and live music while cruising between Europe and Asia on one of the world's most magnificent waterways. Put your feet up as you cruise by dramatically lit mosques, palaces and under the city's soaring bridges. Spy on the night activity in the posh Bosphorus neighborhoods of Bebek and Ulus. The price includes a full dinner, drinks, an exciting floorshow with a Turkish belly dancer and round trip transfer from your hotel. Ask a local agency about availability.

Dinner with a View: Hamdi Restaurant

If you're in the mood for something local then head for Hamdi. Located just steps away from the Egyptian Spice Market, this popular place serves typical Turkish fare; hot grilled kebabs, small bowls of colorful mezes, crisp green salads and last, but certainly not least, Baklava! (Dubbed Turkish Viagra buy the locals!) But the real star of Hamdi is the view. Sit on the top terrace and take in views of Galata, the Bosphorus and the magnificent mosques of Eminonu.

Balik Sokak

Just steps away from the Marmara Sea, Balik Sokak (Fish Street) comes alive at dusk with lively restaurants serving fresh fish, meze, raki and lots of beer. Expect live music, impromptu singing and dancing performed by tipsy Turkish men with big mustaches!

Nevizade Sokak

Just off the Beyoglu Balik Pazari (Beyoglu Fish market) and Cicek Pasaji, Nevizade Sokak is a narrow street chock full of bars and outdoor restaurants. The restaurants offer meze, meals and musicians at your table; the bars offer stools where you can park, people watch and enjoy a chilled Efes beer. Some of the bars have terraces on the roof, of course every waiter will swear blind that his bar's terrace is more beautiful than the next guy's! Most places have a fixed-price menu, so ask for prices in advance.

Turkish Night

If you're a fan of music or dance, then a check out an evening "Turkish Night" dinner show, featuring traditional song, dance and costumes from the four corners of Turkey. Favorites include the fast spinning and stomping of the energetic Black Sea Dancers and the mesmerizing whirling of of the famed whirling dervishes. The evening belongs, however, by the lovely belly-dancing ladies who can show you a move or two! Book early at a local agency for good seats. Again, ask at a local agency about shows as they vary in price and program. Full dinner, drinks and transportation to and from your hotel are included in the price.

Nargile Cafe

Corlulu Ali Pasa Narghile Cafe was built in 1709, and is a well-known atmospheric water-pipe (nargile) place near Beyazit, (just 2 tramway stops from Sultanahmet stop, or a short stroll along the tramline.) This lovely hidden spot is where you can try a waterpipe or just relax and enjoy the exotic aroma of an apricot Narghile while sipping Turkish tea or coffee. Kittens will play at your feet. Old men will play backgammon. A great place to unwind after a trip to the nearby Grand Bazaar. The cafe serves a variety of tea, soft drinks and Turkish coffee.

Sultanahmet Hot Spots
Looking for an after diner drink not too far from your hotel? In Sultanahmet, grab a cocktail, raki, Efes Beer or glass of wine at...

Sah Bar: Hidden away from the main Tramway Street, this bar is rocking the alley in the summer, and warm and intimate by the fireplace in the winter. Cosy decor and great music.

Akbayik Street: There are a few bars that go all night long on this street. Check out "Just Bar", popular with locals and backpackers. Great outdoor seating.

The North Shield: Located just off the Gulhane tramway station one stop away from Sultanahmet. More expensive than the first two, but a great place to watch a football match.

For more ideas about how to make the most of your next vacation to Turkey visit us at http://www.speedtraveltr.com

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Dunhuang Caves Come to Life at Radio City Music Hall

Celebrate Chinas magnificent heritage in a Spectacular way as we usher in the Year of the Pig. Each year NTDTV hosts an exhilarating Chinese New Year extravaganza worldwide where the best of Chinese theatre, music and dance come together, bringing to life the myths, legends, and the divine beauty of traditional Chinese culture for Western and Chinese audiences alike. This year the Spectacular will play at Radio City Music Hall from February 14 17.

The Spectacular has something for everyone. A world-class production of performing artists of excellence, it features outstanding vocalists and instrumentalists showcasing grand stage designs, hand-painted backdrops and authentic costuming from ancient Chinese Dynasties. Classical Chinese dance along with traditional dances of various ethnic styles help weave a tale that touches on the themes of compassion and virtue -- and the never-ending battle between good and evil

The show takes you on a magical mystery tour said a friend who saw the Spectacular in San Francisco. When asked what was his favorite part he said: The Dunhuang caves--its just surreal! I can understand why that is. It was said by the ancients that dun meant great, and huang meant to flourish. Dunhuang is the pride of the Chinese culture. The graceful feitian, or heavenly beauties, together with tranquil and elegant Buddha images, reflect the glory of the history of Chinese nationalities in the Dunhuang Cave Dance.

The Mogao Cave in Dunhuang, which is known as Thousand-Buddha Cave, features fresco art narrating stories from Buddhism. Musical fairies, feitian, and heavenly kings are included in the images of the multiple heavenly beings. All the multiple heavenly beings are the guarding converts of the Buddha: the heavenly kings safeguard the Law of Buddhism with weapons in hand, feitian hold flowers and tributes, and the musical fairies dance festively and sing.

Feitian is called goddess with fragrance and beautiful sound in Buddhist art, and was named Gandhanra in Sanskrit, referring to a kind of beautiful fairy who is good at playing music and dancing. Feitian is able to fly airily and freely in the sky with all-over fragrance and fluttering ribbons on her body with flowers and colorful clouds in her hand. This artistic image from Indian Buddhism, once combined with the images of Chinese flying fairies and those who succeeded in cultivation, connotes an extremely rich sense of magic and fantasy.

We can see that NTDTV is working at pains, and we can see new culture from the traditional roots. That is very valuable. We hope the NTDTV can stick it out and can truly turn all these into its tradition, said Ambassador Andrew Xia, Director General of the Taipei Economic and Cultural Office in New York after seeing the show.

Last years production at New Yorks world-famous Radio City Music Hall ranked the top 7th show internationally on Billboard magazines Box score in February 2006. In 2007 the Spectacular will play in 30 cities across four continents, including 15 major cities in North America.

Be part of the experience and treat yourself to a rich, meaningful and unforgettable cultural eventthe NTDTV Chinese New Year Spectacular.

Xiqiao Su is a Performing Arts Teacher and works in her studio in Manhattan. For more info about the NTDTV Chinese New Year Spectacular in your area, please visit: http://shows.ntdtv.com http://www.ntdtv.com

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Monday, September 8, 2008

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Community Music Center San Francisco: Latin Music Vocal Workshop
Latin -Flamenco Ensemble (Potingue) Latin Music Vocal Workshop. Music for Children ... (s) of music studied: Songs in Spanish , such as Latin American standard boleros ...
http://www.sfcmc.org/site/index.php?id=364

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latin american art nlp course in london spanish real estate ... Latin Dance. Salsa Music . Latin American News. Latin American Art. NLP Course. Spanish ...
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Latin Quarter | Taco | The Week | Music | Entertainment Weekly
Spanish rockers? ... Home // Music // Latin Quarter. The Week. Latin Quarter. Spanish rockers? ... SPANISH THING ABOUT THEM Their last album title, Read Music ...
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Find a Meetup Group - Spanish Language Meetups - Singapore
Interests: Spanish Language, Cuban Culture, Salsa, Tango, Latin Music , Hispanic ... Interests: Spanish Language, Salsa, Samba, Latin Music , Tango, Hispanic ...
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About San Fernando - Music of San Fernando
... English, Spanish , and Latin hymns (English, Spanish , bilingual, Latin music ; 25 members) ... directed by Carlos Rosas ( Spanish , bilingual music ; 40 members) ...
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SpanishTown - Spanish For Kids, Spanish Grammar, Spanish Vocabulary
SpanishTown: Spanish for kids and adults including Spanish vocabulary, Spanish grammar and more. ... Latin Music . Amazon.com Widgets. Salvador Santana Band drops by! ...
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El Taller Latino Americano, Latin American consulting
... Musical consultant and coordinator to Spanish television show on Latin music in New York. ... staff on Latin -American musical history, recruited musicians ...
http://www.tallerlatino.org/CreativeProjects.html

Shakira Likes Beyonce's Spanish - Latin Gossip
Latin entertainment news and gossip, updated daily. ... that Beyonce is really planning on moving into Latin music territory even more. ...
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North American THE SPANISH HARLEM ORCHESTRA World Music at Global ...
... magazine, Global Rhythm, World Music magazine, World Music ... Greater Latin America. Jazz. Middle East & North Africa. New Age & Avant Garde. North American ...
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E. L. Easton - English - Music & Lyrics
Materials for Teaching and Learning English ... Spanish . Musical Styles. Genres DataDragon. African africanmusic.org. Classical. Latin ...
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Sunday, September 7, 2008

Hannah Montana Dance Mat Review

As you probably already know if you're reading this article, this dance mat has been sold out all over the country because of the recent "Hannah Montana fever" currently in full swing. I purchased this for my daughter for Christmas. She also has the older version of the dance mat. Here is my review of both products - both the new version with the wig and dvd and the old version, without the wig. There's also a link for where to get these hard-to-find items at the end of the article.

The New Version Features And Price:

The new version is the one that is flying off of stores right now. It features a blond Hannah wig, a microphone and the mat itself, which lights up. The premise of this toy is that the kids can learn dance moves to three Hannah Montana songs: "Who Said?," "Best Of Both Worlds" and "This Is My Life. " Dancing instructions appear on an included DVD and teach dance moves to the songs.

I want to say right off do not expect the wig to be the quality that you see Hannah wearing on TV. It isn't, but it's good enough to get the effect kids want. Also, your child will probably not be dancing like a professional dancer at the end of a play session, but your child will learn moves to Hannah songs. Kids basically just want to learn how to dance for the new Hannah movie or a Hannah concert and the Hannah Montana Mat accomplishes this while they have fun. The price of the new version mat is about $35 retail.

The Older Version Features And Price:

The older version does not have the wig included, but I would argue that the quality of the actual product is a bit better and the product will last a longer time. It plays the same songs as the newer version, but the lights and music sync better with the numbers on the mat. I honestly find this one more user friendly for younger kids. This one is very hard to find, but I think I like it better than the first.

All in all, my daughter loves both dance mats. She's a 7 year old little girl who just wants to dance and have fun. She doesn't expect she will dance just like Hannah. I love the fact that it gets her off the couch and she gets some exercise. Would I buy them again? Absolutely.

To see where to purchase either item for the best price, click here to visit the Hannah Montana Dance Mat Review Website.

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A Common Sense Economic and Market Structure Model for Developing Countries

Introduction

For more than thirty years developing countries' economic problems have created major financial crises in the international community. Developing countries have remained so due to their low-income economies. African and Middle East countries live in ethnic diverse communities and are subject to political instability and corruption than Asia and Latin American countries that live in more homogeneous communities. There is more cost involved in a population of workers and who belong to different ethnic groups because of diversity, cultural differences, religion and language. The purpose of this economic development model is to address economic stability, the problems (value inhibitors), solutions (value drivers), the strategies and implementations of the economic enhancement in order to help the developing countries be less dependent on developed countries. So many studies have been conducted on developing countries, but none of the studies have focused on how the developing countries could apply or use the economic models with less participation of the industrialized countries. World Bank and United Nations ought to examine minutely any potential foreign aid application while focusing on this model for developing countries. This model will enhance in devising a strategic means of monitoring the developing countries before distributing fund to those that may not use the model or practice noncompliance. The practical sense of the use of this model is to elevate the developing countries to economic success and stability, and reduce their dependency on developed countries.

Role of leadership

In developing countries, most leaders behave and think differently. Although, these may not be tolerated by developed countries, they are the norm and are based on their ethnicity, beliefs, religion, culture, social classes, and assumption of supremacy. Negotiating and managing conflicts in developing countries is a matter of understanding the genetic makeup of that country. Diversity may create needs but these needs do not have to be neglected in order to create balance among the ethnic or sectarian groups. A Western countries' style of negotiating and resolving conflicts may not be applicable in the developing countries where religion and ethnicity have continuously impacted the leadership in those countries. Hence, the inefficient and ineffective leadership have led to social development and economic neglect that have caused the worse economy and poverty in those areas. If politics are set aside and economic benefits are put in the forefront by these developed countries, the chances of conflict resolution will be increased.

Leaders who have vision for change may think about what the impact the economic and market development will have in the long-run, and in the locations and in the life of its citizens. The social problems in Malaysia exist because of the ethnic Chinese who are not Muslim in a country where over 90 percent of the population is Muslim.

In developed countries, situations create focus on civilization and leadership, where civilization shapes leaders and leaders shape civilization. Power is treated as a shared resource, but in most developing countries coercion is the system used by leaders. Leaders use physical, economic, and social threats and punishments to induce change in followers for the sake of the leaders. The leaders therefore have become power wielders. These leadership problems have impacted the economic and market structure of the countries. Hence, a new model may mean a step to a new and better way of life for all the developing countries. The Western part of the Asia continent is predominantly Muslims and still have untapped resources that have not been explored because of dictatorship, politics, religion, culture, beliefs, and diversity. Exploring these countries and helping them stabilize will transcend to trading with other developing countries, which will in turn pull them out of poverty, instability, and create peace among the sectarian and ethnic groups.

Asia

Before the coming of the tsunami in December 26 2005, the South Asian countries were poor and developing. Both the South and East Asia have untapped economic sources. These potential raw materials need to be explored in order to help develop the economic and market structure of the region. The tsunami destroyed the infrastructure, economy, and the lives of the people of the South Asian countries. The 6.3 in magnitude earthquake that hit the central java of Indonesia on May 27, 2006 destroyed what was left of the tsunami. These countries will benefit from cash crop, livestock, and poultry production because of their adequate weather and availability of natural water, which will not require a high technology in order to irrigate the farmland. Mechanized farming will need to be introduced and implemented to aid in maximizing production of agricultural products. The Eastern part of South Korea has a comparative advantage over industrial, commercial, and manufacturing production. Producing and trading on building, automobile, motorcycle, and other petty materials in the form of buying and selling will enhance in the development of the market setting and economy. This will help in the stabilization of the East and South Asian countries. A stable economy will help resolve and manage conflict in these countries that have different ethnic groups and history of diversity. The economic and market structure may also aid in the stability of the leadership, political and social system. The environmental problems may need to be addressed in order to guard against pollution or any unhealthy by products or waste materials that may cause harm to people or have short or long term health problems or may be fatal to people. If these countries are stable, they will attract foreign investments rather than needing foreign aid. The military disturbances in East Timor are not helping the economic and the market structure of the young independent country.

The four factors that determine the economic growth are labor, capital, land, and Entrepreneurship. Developing countries have more labor force with lower wages than developed countries and yet their economic growth is still lower than that of the developed countries. Capital is another problem facing developing countries. They need resources such as equipments, machines, factories, and money to work with. Labor without capital is synonymous to guns without bullets. Capital will also represent an investment that will pay off in the future. Most developing countries have untapped resources such as oil, gold, diamond, minerals, forests, and water that represent land which by themselves cannot stimulate economic growth unless they are explored and converted to goods and services. Technology enhances economic growth. A group of agricultural researchers from Texas A&M University and University of California-Davis acquired a four-year grand of $4.4 million from U.S Agency for International Development's Mission to Afghanistan eGrazing. This discovery will aid the livestock herders to successfully tend to cattle, sheep, horses and goats. If this system had been in place, it may have made an impact during the tsunami in Indonesia. Political and social factors that inhibit Economic Growth are corruption, instability, lack of leadership and administrative skills, population growth, and lack of business enterprises.

Africa

African countries are very poor and in dare need of economic and market structure development. Before these countries go global, they may to have sufficient needs of life by taking comparative advantage of their sources of raw material. Some have cash crops that need to be irrigated, some have livestock and poultry that need to be technologically upgraded, and market structure that needs to be redesigned, developed and implemented. The improvement of the agriculture will help the poor farmers send their children to school, build infrastructure, develop the quality of institutions, and make a smooth run of transportation.

Middle East

Middle East region is a turbulence area because of instability associated with religion, oil, dictatorship, and developed countries' influence. The Iraq war has devastated the whole region, and couple with the Israel, Palestinian, and Lebanese conflict, which has created further economic drawbacks that amount in billions of dollars. The destruction of the infrastructures, and the lost of lives have sent the economy of Lebanese country decades backwards.

Latin America

Development in Latin Americans countries could stem from agriculture, forestry and fishing, to mining, and manufacturing. These Latinos can help in building their countries rather than trying to immigrate to United States of America. If guided, they will improve their countries' economy and help in the marketing of agricultural, manufacturing and other natural resources. Immigrants spend much time in the state of California farms, Illinois factories, North Carolina, and areas in the north east of United States of America working mostly in food industries. These efforts can be redirected to Latin America in order to develop the entire area.

Political struggles, lack of administrative skills, and power supremacy have strangled the economic and market structure of most countries in Latin America. For decades the Latinos have traveled north of the border to United States of America in search of better lives. This economic situation has resulted in the deaths and mutilations of people trying to enter United States of America. The smugglers who are known as the "coyotes" have made huge profits for attempting to transport these illegal Latinos across the border. It is very dangerous ventures because of the hot temperature, train transportation, unhygienic felt, bad weather, lack of food, water, and other unknown dangers along the road to the border. Immigrants spend months traveling to the border and most times do not make it to United States because they are caught and send back south of the border. Most gang groups have resorted to kidnapping wealthy Latin Americans living in the United States side of the border for huge ransoms, demand thousands of dollars in exchange to the kidnapped victims and most of the times these victims are killed. Families are separated due to fractured economy when men live their families for years in search of money for food in the north of the border. Income is not redistributed to the population, the rich gets richer while the poor gets poorer. The people of Latin Americas deserve more from their leaders and their natural resources, which has not happened because of corruptions and drug kingpins who have operated by intimidation, coercion, and fear.

The Four "Pies" facing developing countries

Poverty stems from lack of education, opportunities, and low literacy level. These countries do not put too much emphasis in education as they resort to marrying more than one wife and having too many children. Farming and herding have been their main source of food production and livelihood. Ethnicity is attributed to too many tribes, languages, and dialects. It has also contributed to lack of trust amongst different ethnic groups due to lack of understanding each other's culture and tradition. They have become one country but different people. Instability is created by lack of a stable government by corrupted leaders, who always come to power for the purpose of stealing funds. That ultimately leads to no mandate to build infrastructure, and develop the economy and market for the country. When people's needs are not met, most of the times in developing countries, rebellion begins when the government neglects a certain group of people. When people are deprived of the necessities of life while the other group has it all because of their ethnicity and religious sect, it creates tensions that lead to a "time-bomb" ready to explode. These most times cause conflicts that are attributed to hatred, sabotage, riots, revolution, and deaths. This is common in the developing countries where corruption and venality have played a role due to self-centeredness on the part of the leaders. Leaders therefore resort to intimidation of their citizens and thereby control these countries by coercion.

17 Strategies for implementing economic and market structure in developing countries

(1)A comprehensive education across the country needs to be instituted. This may be in the local dialect and language in order to make it easy for the citizens of that area. Assessment test of individuals' talent and abilities need to be explored, recognized and documented to be sure where these individuals' maximum potentials lie. A program needs to be instituted in order to teach the citizens methods of family planning and birth control. Individuals also need to understand the social and economic benefit of the birth control.

(2)Some individuals may have ability in agricultural work (Crops/livestock/Poultry). Locations with fertile lands need to be located and utilized for crops and livestock, and those areas without fertile land may need to be used based on its comparative advantage, such as poultry, storage of byproducts, and market areas.

(3)Supermarkets are to be constructed in all densely populated locations or urban cities to enable the young men and women find and keep jobs. The stores will consist of three shifts so that students can work and at the same time go to school and do their schoolwork. These markets will be located in the areas where people can afford to shop. A Wal-mart (USA) approach will be most appropriate in these locations. The four utilities of market will have to be considered and instituted as the main reason for the location of the supermarkets.

(4)Consideration of the product that people will want, the price to set for the product, the place that will be appropriate for the supermarkets and their nearness to the people, and how the promotion of the product will be conducted in order to reach the consumers and customers.

(5)The nomadic approach of rearing, transporting, and selling livestock will be changed to using trucks to transport them if it involves long distance in order to avoid spreading of any diseases such as mad cow disease and other diseases that come from livestock feces as they are transported though out the country. Trading locations where buyers and sellers meet, and the days to meet are to be established in both rural and urban areas.

(6)Areas where people still live in poverty, a trade by barter may be established so as to allow the farmers who want to exchange items from their farms to bargain for exchange. This short-run method will continue until the economic development is in place and running.

(7)Foreign investment and property rights need to be considered as part of encouraging investments and savings in order to stimulate the economic growth. This method may help the developing countries to invest less money on capital goods, create more competitive markets, and in turns reduce or eliminate corruption.

(8)Establish local leaders by ethnicity, who will act as representatives or middlemen between the government and their ethnic group. These local leaders may be selected by group they represent and approved by the government to ensure they are working on behalf of the people they represent and not for their own self-interest. In addition, the African experts may be contracted to help establish the boundaries of no corruption.

(9)Individuals have certain religious beliefs and different ways of thinking, and as such need to be segregated according to their sect for the benefit of market structure and economic development. Individuals who understand that certain groups have designated times in which they pray will have no problem doing business with such groups. This may reduce tensions for those who understand the culture of those religious group, and for those, who do not there will be tensions and uneasiness, which is the reason for grouping citizens according to their religious sect.

(10)Government need to institute "watch dog groups" in order to police the programs and to make certain that the programs are in place and running. A 3-year trial needs to be established for any program of economic and market structure that is implemented for these countries. This is enough time to evaluate the program in place in order to ensure its workability. Experts in Africa need to be involved in all phases of implementation in order to combat corruption and promote stability.

(11)Poverty may be reduced if adequate and stable structure for economy and market is established, and the government leaders via the local leaders address all citizen's problems. The essential necessities -- housing, clothing and food - may be the top priorities for these countries in order to reduce the poverty.

(12)Professionals and skilled workers are to be encouraged through issuance of incentives in order to motivate them to stay and reside in these developing countries and help in the development of these countries rather than leaving for developed countries. Mass exodus from these developing countries only harms and delays the development of these countries.

(13)Construction of infrastructure such as roads, buildings, and bridges are important for the economic and market structure of developing countries. Food products and other necessities of life can be transported to their respective destinations as quickly as they are needed when good infrastructure is in place. It may also encourage in foreign investments. Investors will prefer to invest in stable countries to unstable countries.

(14)Construction and installation of adequate running water in developing countries and to all parts of the countries also will help in building stable economic and market structure. It will help in curtailing diseases such as typhoid's and malaria that usually come from unclean water. It will also help the children to focus in education and literacy programs rather than traveling miles upon miles to fetch water from the streams and wells. Some of these children die in taking these water-fetching adventures.

(15)Installation of electrical system may help in the growth of communities. Businesses cannot operate adequately where electricity is lacking. As such, these countries will require electricity in all areas of the countries as a form of economic development and market structure in order to help businesses function and grow, help in the food storage, and eradicate waste of food products that would otherwise be stored safely in cold rooms and refrigeration.

(16)Social Organizations need to be introduced to help the poor get out of poverty, and give them the opportunity to operate their own small businesses. This type of organizations are set up by the government as not-for-profit organizations, and the purpose is to develop the people's business skills and issue them interest free start-ups loans to enable them manage their own businesses, which in turn lead them to poverty free. They will guided them to the type of businesses to open, how to open them, where to open them, and why they should open those kinds of businesses.

(17)The potential goals may be achieved by enforcing the use of this model as a condition of receiving funding or foreign aid. As a way to check and ensure that monies do go to what they are intended for, developing countries pledge to use and implement this model. This model will check and police the development of the projects. The intention of this requirement is not to discriminate against developing countries, but to help the citizens of those countries as they have no way of benefiting from these funding and foreign aid that usually end up abused, misdirected, and misused for other personal and private purposes by the leaders due to corruption and venality.

Who Are the Developing Countries

World Bank defined developing countries as those with low-income economies with per capita incomes of $755 or less. World Bank is an International Organization that categorizes such countries as developing countries and also issues loans to them.

About the Author

Dr. Sidney Okolo is a professor, consultant, strategist, and Africa expert. He is affiliated to several universities and the Managing Director of International Business Associates, a management consulting firm, and also the CEO of Global Education Support, an education assistance program.

Among other things, he engages in all aspects of learning, knowledge, organization and human change. His focus is on leadership, management, entrepreneurship, profit engineering, human potential, excellence, achievement, business strategy, research and development. Product management, change management, conflict management, athlete management, marketing, business development and operations. He works with clients to adapt to change due to change in factors of production, technology, goods and services. He engages clients in training, retraining, development, skills enhancement, association, behavior modification, ways of thinking, and attitude adjustment. In addition to his work in the United States of America, his focus is also on developing countries in the continent of Africa, their leadership, culture, economic and market structure, community planning and development, and his created four letter word, "PIES", which stands for: poverty, instability, ethnicity, and sectarianism.

http://www.iba-pec.com

http://www.globaleducationsupport.org

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The Dancer's Secret -- A Short Horse Story

It was sunset. The wind rode on the sharp edges of the mountains dragging the last bit of color away from the darkening hills. In a small cradle of two hills lay a beautiful girl. Her hair was long and soft, and when it touched the wind no other beauty could compare to it. She had a long face and brilliant searching brown eyes. Her feet were perfectly conformed, but were not like everybody else's who surrounded her. This girl's belly was not thin and it was not bulging, but was somewhere in between, and was the perfect shape. She stood up. Her long hair covering her body like a coat. The wind pushed against her forehead, cooling the nearly invisible sweat.

Others gathered around her, watching her intently. She began to move in a slow, but upbeat rhythm. It grew very quiet. The others continued to look at her, and started to wonder why she had begun to dance when the music hadn't started. The girl's curves moved back and forth and her hands danced their own dance around her stomach. Back and forth she moved until the earth seemed to move and the mountains rumble. The grass quivered back and forth at the eerie silence. She stopped. The ring of quiet shadowed everyone's ears. The beautiful girl opened her mouth. A long sweet tone emerged from her lips. The gazing onlookers listened intently to the wonderful sound. The girl dropped down to a very low pitch and then swerved back up like a bird that was getting too close to the ground. She sang and sang as if she were pouring her inside beauty out to the others. Her voice stopped, and once again silence covered everything.

The girl's body began to move again, but this time it was much slower and seemed more meaningful. Soon the others were bobbing their heads and moving to something unheard. It was the music of their souls. The girl sped up her dance, leaving all of the others to dance their own rhythm. Soon the girl was dancing so hard to the music inside of her that she suddenly stopped and began to run. Blood thumped in her temples and her gorgeous hair flowed back away from her face. Her long sleek body seemed to move with the wind, and her feet with the earth. The girl ran and ran, and when she got to the top of her favorite hill she stopped. Her breathing came harshly, making her nostrils flare for air. She smiled and took a minute to grasp the beauty around her. The smell of wild flowers hung in her nostrils, and the earth cuddled her feet. In the near distance she spotted a small forest and hundreds of night creatures lurking about. Quickly she turned around to look at the others. Their music was still playing within their bodies. The girl was satisfied. Once again she had taught to listen not only to your mind but also to the music, the real music that plays inside of you.

The girl began to laugh. This was no ordinary laugh though -- it was a laugh that was a slightly haunting and scary. Her eyes sparkled and she laughed on. Once again she had gotten away with her secret. Once again she had done something all of the others said she couldn't do. The girl reared up in triumph, showing off her glimmering hoofs and long mane. A long whinny rose from her throat and she galloped home.

The dancer's secret was revealed...

Randall Holman, site owner of Front Range Frenzy and horse enthusiast, is the author of the above short story. You can find easy and practical basic horse care information on his website: http://www.FrontRangeFrenzy.com.

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Saturday, September 6, 2008

Missing Someone So Much It Hurts? Try The Brokenheart Stomp!

Things looking bleak?

When milestone days approach, a holiday, a birthday or deathday, do your emotions tumble downhill as you struggle with lonely, depressing efforts to hold back your feelings? Is the one you really want with someone else, or did he or she pass away, yet you hunger and yearn for whom is missing? Do you have to push away painful memories just to get through the day and that takes all your concentration and energy? The pain of heartbreak can be acute and overwhelming. Your grief keeps you focused on the pain when you think about them. Maybe after fifty years you only remember the day someone died or your first love's face as he left you. The grief blocks all the good memories that lie beneath waiting.

Would you like to try a quick fix for an enduring heartache?
You have memories of these people that are yours to enjoy, too. If you can just get past the grief, even temporarily, you might recapture lost moments of joy.

Take tonight to be alone and set the stage for memories of someone who was once precious, but is now missing. Light some candles, get out the worn photos, drop the fake smile from your face....finally, and allow yourself to really feel the pain. Step into the murky water of your tears and despair and wail and cry, for say, ten minutes. Then, take the next ten minutes to crank up some rhythmic music and express the pain physically. Boldly and wildly move your body in an expression of your hurt. Next, gradually change the dance to a joyful or silly one, like the chicken dance. The physical efforts release brain chemicals. Hopefully, no one is watching this cathartic gig but if someone is, explain that you dance for your health.

Grief held inside is poison. The act of grieving is about releasing the toxic thoughts and physical ramifications of those thoughts. Faking it, smiling when you could split apart in pain or pretending you do not care is not fooling your organs. Get the pent up rage, despair, guilt or envy out of you. Just talking about it or ignoring it will not release grief as well as the Brokenheart Stomp. The change from a grieving movement to a happier movement will send a powerful signal to the mind that you are trying to recover from grief.

Purging grief is a detox cleanse that allows you to recover joy and balance to your mind and gut. You NEVER have to stop feeling love and longing for what you miss, but you need to periodically fall back deeply into your sadness, feel terrible and then release it quickly just like a cramp in your foot. When the pain begins to build up, try shaking it out and then laugh loudly long before you sincerely feel happy. Our bodies respond to the emotion we act out, so act out a joyful dance.

Loving someone - even if it does not last - can become a source of experience and strength to treasure, if you learn to release the grief regularly. Grief can last years, but your nervous system needs a break frequently. The Heartbreak Stomp may shorten the pain by grieving the feelings out just a bit while you laugh at your antics. Take this opportunity to remember the good and bask for a bit in positive memories of having loved someone dearly. Eventually, the pain will go and the good memories will heal your heart and last forever.

BIO:

Dr. Molly Barrow holds a Ph.D. in clinical psychology and is the author of the new book, Matchlines: A Revolutionary New Way of Looking at Relationships and Making the Right Choices in Love. She is an authority on relationship and psychological topics, a member of the American Psychological Association and a licensed mental health counselor. Dr. Molly has appeared as an expert on NBC, PBS, KTLA, and in O Magazine, Psychology Today, Newsday, MSN.com, Match.com, Womens Health and Womens World. Please visit: http://www.askdrmolly.com, http://www.DrMollyBarrow.com

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Friday, September 5, 2008

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Thursday, September 4, 2008

How Good Are Toy Pianos?

I'm sure you've seen the ads: Schoenhut, Dexter, Fisher-Price. These are all brands of toy pianos that are marketed to parents of toddlers.

Many parents are attracted to them because of their look and their size, saying to themselves, "Oh, that would be perfect for my child. It's so cute!"

But have you ever tried a toy piano? While they may be cute and fulfill a need for a certain kind of toy and nursery furniture, they may leave much to be desired in terms sound and providing an instrument for musical development.

Let's see if the advantages of toy pianos outweigh the liabilities.

I've taught children who had toy pianos at first, and there is never any damage done, far from it, if a child plays a toy piano. I think they enjoy it simply because it makes pretty sounds. Anything that interests them in music and piano is good for their intellectual development.

But that is not our point today, but rather to see if there may be an alternative for toddlers that works better in providing a musical instrument adequate for musical development.

First let us enumerate the advantages of toy pianos:

1. They are attractive and this alone may interest the child in music.

2. They are inexpensive and portable

3. They have a standard keyboard setup with groups of two and three black keys.

4. They are mechanical devices, so you don't have to worry about electrical connections, outlets and safety issues.

5. The younger your child, the more appropriate a toy piano may be.

The only real alternative besides a real piano is the electronic music keyboard, such as the inexpensive Casio brands you see for around $99. You see them at Circuit City and electronic appliance outlets as such as that.

Here is a comparison of an electronic keyboard versus a toy piano:

1. Children's electronic music keyboards have real width keys, inch wide, while toy pianos often have "mini" keys to accommodate their tiny hands. It may be better to have the child get used to what real piano keys are like. On the other hand, anything that attracts your child to touch a musical keyboard is a good thing, correct width keys or not.

2. Electronic keyboards make a wide variety of sounds besides the standard piano sound of a toy piano. This may attract your toddler, or may confuse them. More sounds are available on a small keyboard but not usually on a toy piano, although undoubtedly there are products out there called "toy pianos" which make sounds in addition to something piano-like.

3. Toy pianos produce a sound made on what are usually small bell-like surfaces called "tines." It sounds more like chimes than a piano. An electronic keyboard's piano sound is usually very faithful to a real piano sound.

4. Electronic keyboards must be used with batteries to get around the safety issues of outlets, power cables and connections. Toy pianos usually are mechanical devices that require no power, and therefore have the advantage of safety and convenience.

Whatever choice you make, a toy piano can be a great introduction to music, which will eventually produce many benefits such as increased math scores and better handwriting.

Better to get a toy piano at first and then upgrade than not get started at all. Music skills develop at a very young age.

By John Aschenbrenner Copyright 2000 Walden Pond Press. Visit http://www.pianoiseasy.com to see the fun PIANO BY NUMBER method for kids.

John Aschenbrenner is a leading children's music educator and book publisher, and the author of numerous piano method books in the series PIANO BY NUMBER.

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Origin of Erik Satie's "Gnossiennes"

The 'trois Gnossiennes' (1890) is a set of dance-like pieces of similar character, like the earlier composed 'trois Sarabandes' (1887) and 'trois Gymnopdies' (1888). The 'trois Gnossiennes' were first published by Satie as a set through Rouart, Lerolle & Cie. in 1913.

The Gnossiennes continue in the minimalist style of the Gymnopdies but add ornaments that give the pieces a destinctly oriental feel. Although the pieces are obviously composed in a 4/4 time signature, Satie did not indicate it in the score. He also omitted barlines, leaving one big "bar" for the entire piece. This gives the impression of great freedom for the pianist. The comments written above the score, like 'Du bout de la pense' (from the tip of the thought) and 'Postulez en vous mme' (wonder about yourself) also give much room for interpretation. This has proven to be true since there are few pieces in piano literature that have been interpretated in such diverse ways as the Gnossiennes.

The name 'Gnossiennes' can be explained in multiple ways. The ancient Greek word for 'knowledge' is 'gnosis'. Gnosticism was the name of a religious-philosophical belief which has its origins in Greek philosophy as well as early Christian and Jewish Apocalyptic thoughts. In this belief 'Gnosis' stands for 'True knowledge', which is supposed to lead man to true emancipation. Gnosticism also played a great role in the beliefs of Josphin Pladan's (1859-1918) 'Rose et croix' sect. Satie's collaboration with Pladan led him to take an interest in partly-heretical views. It is possible that the title of these works is an hommage to gnosticism.

The most common explanation however is that the title refers to the ritual dances performed by the inhabitants of the island of Crete, with its capitol city Knossos, famous in Greek mythology for the story of its labyrinth, Theseus and the minotaur. In 1890 Crete was in the news because of archeological excavations. Other works by Satie from the same period were named after dances as well. Namely the 'Sarabande', a dance which was first introduced in Portugal in 1586 and the 'Gymnopdie' which has its origins in ancient Sparta. Even so, it is very unlikely that Satie, a member of the 'Rose et croix' from 1891 to 1892, was unaware of the gnosticism relation when the second Gnossienne was first publicly performed in 1893.

In 1967 french composer Robert Caby (1905-1992) revealed many of Satie's posthumous and often untitled works, taken from sketchbooks and manuscripts. He named three of these pieces Gnossienne. These became Gnossienne 4, 5 and 6 respectively. The piece known as the fourth Gnossienne was composed in 1891, the fifth in 1889 and the sixth in 1897. These pieces were first published in 1968 by ed. Salabert.

Joffrey Wallaart started the Piano Society website to give the public easy access to classical piano music.

http://www.pianosociety.com

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Wednesday, September 3, 2008

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Hinder - Extreme Behavior - Rock Music CD Review

One word describes the CD Extreme Behavior from Hinder... AWESOME!

I wish it werent the case but, its not everyday that I get a CD for review that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just cant force myself to get through. Not at all the case with Extreme Behavior. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

Extreme Behavior has a nicely varied, mix of 10 tracks that are very well written and brilliantly performed songs by these clearly outstanding musicians. With many of the songs displaying a lot of the kind emotion that makes for a really great listen. Seemingly drawing from what I can only imagine are their own real life experiences. At different points touching on the most real emotions of love, heartbreak, pain, failed relationships and unattainable romance. Theyre all here.

Overall Extreme Behavior is outstanding from beginning to end. One of those CDs that after a few listens the songs are just etched into your memory. A must have for the Rock fan. Really spectacular from beginning to end.

While this entire CD is outstanding some of my favorites are track 4 - Nothin Good About Goodbye, track 8 - Lips Of An Angel, and track 10 - Should

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 - Get Stoned. Good stuff!

Extreme Behavior Release Notes:

Hinder originally released Extreme Behavior on September 27, 2005 on the Universal Records label.

CD Track List Follows:

1. Get Stoned

2. How Long

3. By The Way

4. Nothin' Good About Goodbye

5. Bliss (I Don't Wanna Know)

6. Better Than Me

7. Room 21

8. Lips Of An Angel

9. Homecoming Queen

10. Should

Hinder: Mark King (vocals, guitar, piano); Joe "Blower" Garvey (vocals, guitar); Mike Rodden (vocals, bass guitar); Austin Winkler (vocals); Cody Hanson (drums).

Recording information: Armoury Studios, Vancouver, Canada (2005).

If you are looking to Make Big Money Online, visit Brian's Big Ticket To Wealth website.Brian McCoy is a six figure earner and one of the top income earners in the home business industry. Brian works with entrepreneurs around the world. He devotes the time, energy, and effort into his team and works with them to ensure their success.

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Tuesday, September 2, 2008

What Makes a Real Artist?

While many carry the artist title because they are part of the music industry, very few can actually pretend to be entitled to the golden crown that makes them real artists.

As far as I can look back, music has always been full part of my life. Growing up with classical music with some openings towards jazz and pop music, I have extended my interest to black music including gospel, soul, blues, and of course, hip hop. I am usually open minded about music, as long as it pleases my ear. However, I am very picky when it comes to define somebody as a real artist. Only the Great who influenced music history deserve to be classified as real artists.

Johann Sebastian Bach is one of those real musicians. His music is an example of hard work. His incessant quest for perfection and harmony characterizes his music. Among the Great, you can count people like John Lennon, Ray Charles, Duke Ellington , James Brown, Eazy E, Nas-and yes- Eminem, whatever his haters might have to object. (This list of artists I mentioned here, is of course, non exhaustive)

Despite the fact RIP Proof was less known from the public than other famous artists, he had all the qualities that make a real artist.

So what is the definition of a real artist?

A real artist, a plain artist is a person who makes music for the love of it, not for the money only, even if he is perfectly conscious that he has a family to feed. A true artist must be inspirational to the listeners. Whatever his message is, people must be able to feel the music and to acknowledge the feelings expressed through the voice, lyrics and instrumentals.

A true artist usually has high requirements regarding the quality of his beats, instrumentals and recorded voice. Never satisfied with himself, he keeps working hard over the years in order to satisfy his public.

A true artist will always put his passion for the music, the will of sharing it and to satisfy his audience before the material aspect of the show biz.

A true artist definitely manages to generate a genuine enthusiasm among his audience.

While being on stage, he becomes the music. He and the audience are one and thats the full beauty of the musical fusion created by dedicated artists and a very receptive audience.

When you hear the song, you must be able to feel the artists feelings and to forget about yourself, because during such moments, there is only place left for the music. Yes, this can happen if the artist is a real, dedicated person towards his art.

When you heard a person like James Brown tell their audience: I feel so good I wanna screeeeaaam, you perfectly know that his words werent made up. There is a wonderful chemistry between such artists and the public. Good vibes are in the air and they penetrate into the mesmerized audiences.

Real artists usually stay humble in front of other great artists. Not only do they possess a good musical culture, but they will never mind quoting other legends. I heard James Brown paying homage to Ray Charles, for instance. So did Nas.

I do consider Eminem as a plain artist, because he changed the face of the rap game. He dared to use different themes than the usual themes used in hip hop and proved to be an astute word acrobat, playing with syllables and foolishly putting words together that you would never see side by side in real life. Moreover, his music touched a lot of people from different backgrounds all over the world.

RIP Proof never failed in naming big influences of his like Kurt Cobain, Jerry Garcia and John Lennon numerous times. One can consider D12 s Proof as a rhyming genius too. He had an amazing sense of realness and more importantly, a great passion for hip hop that wont die away since his
murder on April the 11th, 2006.

The Great in the music have the power to influence generations and usually make history. Even their deaths will never erase their contribution to the music history.

Entire artists are the ones who deserve your respect, because you know, deep inside of you, that they are the ones who live and breathe the music for your ears greatest pleasure. Only those guys will live on through their music over the centuries.

Copyright 2007 by Isabelle Esling
All Rights Reserved

My name is Isabelle Esling. I am an Eminem biographer and a freelance music journalist. I do teach English and German at public schools.

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Recording Acoustic Guitars - an Essay on the Importance of Acoustic Treatment of the Recording Space

Trawling through one internet music recording forum after another (as I often do) is certainly illuminating. The multitudinous posts from earnest recordists enquiring from the experts which microphone, preamp, soundcard, converters, compressor, EQ, reverb - blah, blah, blah - is better than another have a rather dulling effect on my sensibilities before too long. And in truth, I've begun to make a bit of a nuisance of myself at one or two places by interjecting with a recommendation that the poster look to the room before he batters his credit card in the hope that some sparkling new high-end "professional" piece of gear will solve all his recording issues. Sometimes the repost comes back claiming that the initial poster is a hobbyist and is not aspiring to achieve professional results - so why don't I just back off and let the guy/gal spend his/her money the way that he/she sees fit? That's all very well, but it doesn't gainsay the logical flaw in spending in the region of $2k on gear when a similar amount - or much less with a bit of research and DIY - on some acoustic treatment of the recording space would achieve a whole different order of improvement.

At this point I should perhaps confess that it took about a year for me to reach the same conclusion. There's no question that a sexy new microphone with a price tag to suit is far more appealing than buying bags of mineral wool slabs, or even proprietary, pretty looking, sound treatment products. I should also admit that I did read a whole lot online about ways and means, materials and products, and earnest debates between the experts - not all uncontroversial - before I felt confident about doing something about it in my own place.

Most - nearly all - of what I have learned I have learned through advice freely given by experts on internet forums concerned with recording studio construction and acoustics. There are some wonderful step-by-step instructions out there on how to make excellent DIY acoustic treatment solutions that are about as effective as, and at fraction of the cost of, commercial products. There are also detailed explanations available on the causes of problems encountered when recording acoustic instruments in small(-ish) rooms - a rudimentary understanding of which is essential to finding solutions for your own particular room.

Following some of that advice has lifted a veil from my recordings and has enabled me to deliver professional sounding projects resulting in a CD - and sales! So I won't apologise now for my evangelising about the topic whenever I get the opportunity - such a difference has acoustic treatment made to my own projects.

Hobbyist or not, you're better off recording in a field with the cheapest of gear than in most untreated rooms with the most expensive recording equipment on the planet.

So there!

Dave Keir is an acoustic fingerstyle guitar player and songwriter with over 40 years experience of recording, touring and teaching guitar. More information and resources can be found by visiting http://www.dave-keir.com

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Monday, September 1, 2008

Create a Star Wars Birthday Party

Little boys always love a Star War birthday party. Running around and fighting with their lightsabers is all they need to enjoy themselves but you can also devise games and decorate your party to make it really special.

With some tin foil and card you can create a whole galaxy for their imaginations to run wild in and you could create a party your little boys friends will never forget.

Take a look at these ideas

Party Essentials

If you are throwing a party there are a few essentials you always need like plates, cups, goody bags, napkins, invitations and balloons. You can of course pick these up from most supermarkets but if you want to make your Star War party one to remember why not use themed essentials.

You can pick up all your Star War essentials plus streamers, ribbons, table clothes and cutlery all in the Star War theme

Dressing Up

There are loads of star war birthday party costumes your little boy or girl could dress up in from Darth Vader to, Princess Leia, Anakin and Yoda. Dressing up is one of the most fun parts of a Star War Party. You could ask everyone to dress as someone different because there are so many good characters.

Games

Good verses Evil

You could devise a competition for your Star War birthday party between good and evil comprising questions and activities.

Split your guests into two groups (those dressed as goodies and those dressed as baddies). You can have several rounds to this competition as follows:

Question Round

You ask questions and the first team to shout out the correct answer gets a point. You could ask star wars trivia or space questions like what is the nearest planet to the sun? to keep the game in theme with your party

Group Round

This is a little like a treasure hunt. First of all cut out ten pictures of Star Wars characters (goodies not baddies) and stick them onto circles of card. These can be different sizes but should be no smaller than the circumference of a mug. Place these around your garden or house in view but not in obvious places.

Explain to your guests that ten members of the Alliance (Star Wars Goodies) have gone missing. The goodies need to find them before they are captured by the baddies. The two groups must go out and find as many of the missing as they can and they get one point for each one they bring back.

Fight to the Death

This round is the same as musical bumps but you explain that it is a fight, good against evil and the last man standing gets 10 points for his or her team.

Your guests dance around and when the music stops they must sit down as quickly as they can. The last person to sit down is out of the game. The winner gets ten points and their team wins the competition.

Laura Anne Grey is a Party planner from the UK designing and creating childrens parties. You can find more birthday resources and articles as well as free printable birthday supplies at http://www.barneys-printable-birthday-cards.com

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