LP RhythMix Mini Bongos

Our Rythmic Bongos are two-headed drums that produce hearty, authentic sound. They stand 6" tall, with 4" and 5" diameter sturdy synthetic heads - like two drums in one! Includes a musical activity booklet. Ages 2 and up.
Customer Review: Not easy to play with bare hands and too pricey*, but not all bad
Trying to play these myself, I have to play pretty forcefully to get a decent pitch. It's not nearly as easy to play as a better quality, non-toy version of bongos, but then, it's a whole lot sturdier than a quality wood & skin drum. The colors are vibrant and very appealing. These have withstood the abuses heaped on them by my kids from their toddler through preschooler years, and still look great. Buy a pair of mallets or drumsticks to go with these: it makes it a whole lot easier to play, and gives children more immediate gratification. *The "too pricey" comment was made when these were retailing at $35. The new list price of $20 seems much more reasonable, and a real bargain at the sale price of $13.99!

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Music is undoubtedly a form of communication and/or expression. Coincidently, the skills of improvisation are certainly related to the dexterity and formalities that are imperative to accomplishing your role as a communicator. Therefore, as you are preparing to become a musician, improvising will firmly assists with your development of the overall perception and understanding of musicianship.

Improvisation often focuses on the recognition of one's personal awareness, into the present moment. The skill also enables the development of a profound understanding of the action that one is currently displaying. Once you are aware and understand the concept, you will be provided as the practitioner with a sense of belief and accomplishment.

As a practitioner you will display pure confidence in which you are able to execute with a range of options that best conforms to the current situation regardless of previous successes or failures. Quite frankly, the practice of improvisation symbolizes acting and reacting, making and creating of "in the moment" response to the stimulus of one's immediate environment.

In music, specifically, improvisation is spontaneous composition. The performer is challenged by performing music that is composed at the spur-of-the-moment. This is usually achieved through solo or cadenza. Improvisation has actually dominated in Jazz musicals. The challenge of improvisation is not to be confused or compared with technique. The two concepts are different in that improvisation is described as a creative performance art.

On the other hand, technique or sight reading is a reconstructive process. It is noted, however, that as both technique and improvisation require that you react immediately to any changes needed to the music in response to stimuli, they do demonstrate primary differences. Namely, the process is executed externally for successful sight- reading and internally to execute improvisation. Furthermore, they both are greatly enhanced by a strong musical knowledge base.

As a musician, you will be able to identify how your audience is responding to you. You can use specific musical "cues" to communicate with the audience during a performance. Furthermore, during the performance, the initial musical piece may be altered to establish an emotional connection. Subsequently, you will have succeeded in the art of improvisation. Improvisation can take place as a solo performance or interdependently with an ensemble with other players. When done well, improvisation often elicits gratifying emotional response from the audience.

Musical improvisers often understand the language of one or more musical styles such as blues, rock, folk or jazz. In order to be successful, you must realize that practicing this art is intense and requires great focus. The musicians are expressive in that they have the ability to precisely illuminate creativity and originality. To successfully explore different methods of creating your own music, you should experiment in low- risk situations. You must listen carefully for your feedback to discover what does and does not work well. This will assist you in gaining valuable experience. Making your own music requires you to focus through relaxation, listening and ultimately learning.

To get started you must simply experiment with a variety of melodies, rhythms and moods. Of course, melody is the variation of the basic theme of music. To use improvisation to alter the melody you must attempt to change some of the original notes of the main theme. You will also be able to improvise the harmony as well as the rhythm. The rhythm, for example, simply requires you to experiment with the notes by making them longer or shorter or adjusting the tempo by making it slower or faster. Incidentally, very few musicians have ever risked presenting fully improvised concerts. However, there was one successful attempt by Keith Jarrat.

Techniques of improvisation are widely trained in the entertainment arts, such as music, theatre and dance. It can be expressed across all artistic, scientific, cognitive, physical, academic and non- academic disciplines. Musical improvisations require active listening and perseverance.

Basically, it is the creation of music in the real time. "Real time" is developed by listening carefully while enjoying and inevitably discovering the skills and techniques of improvisation. It usually involves focus and advanced preparation especially when there is more than one performer. Subsequently, improvisation results in a composition, a creative discovery.

More so, as the composition is reiterated over time in the same form, it becomes quality and pleasant music to its listeners. Therefore, with the establishment of a composition, all skilled composers are skilled improvisers. Perhaps, to study the skills and techniques of improvisation will encourage and enhance your pursuit for musicianship. Thus, the idea of executing an improvisation in a fixed musical form has always held attraction.

Kevin Sinclair is the publisher and editor of MusicianHome.com, a site that provides information and articles for musicians at all stages of their development.

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By the 1940's the saxophone was a well established and very popular instrument in both classical and jazz music. As the 40's brought more musical styles like jump blues, rhythm and blues and rock and roll the instrument would become even more important and play a major roll in the new sound.

Illinios Jacqeut was a very good swing jazz player and like many others he was drawn to the new sounds. He was only19 years old when he worked with Lionel Hampton's band and recorded his famous solo that started others honkin' and screramin' to start the beginning of the rock and roll saxophone.

One kid he inspired was Big Jay McNeely who took the honkin' over the edge and made a show of it... laying on his back, strolling into the crowds and walking on top of bars. (That's where the term "honkers and bar walkers" came from. That's a good cd compilation series featuring other rock and roll saxophonists)

Ahh... those crazy kids. This was a new generation, born in the 20's right around the time Louis Armstrong and Coleman Hawkinswere coming on the scene. They probably thought these guys were nuts, but they fuelled the bands and drove the audience crazy with their energy.

Honkin' and screamin' aside, the saxophone, especially the tenor was sounding big and raunchy like never before. Guys were growling more and making it squawk and really wailin'. The honkin' was a fad that passed quickly but it helped to take the sax to another level of popularity, The rock and roll saxophone sound was now mandatory in all the jump, R&B, and rock and roll bands.

This new sound of the 40's rhythm and blues produced many rock and roll saxophone stars. Besides the ones I mentioned above, here's a few others; Joe Houston, Red Prysock, Sam "the man" Taylor, Lee Allen, Willis "gatortail" Jackson, Louis Jordan and King Curtis.

"Tenor battles" were popular as soon as you had a couple greats at any given time, like Coleman Hawkins with Lester Young, or Red Prysock with Sil Austin, and two of my favorites Sam Taylor with King Curtis.

Most of these guys were coming from the swing scene as well but were involved with their own R&B / rock and roll groups or were sidemen to star singers like Little Richard, Fats Domino, Wynonie Harris, and Ray Charles.

Without a doubt, one of the most influential for us guys playing any kind of rock and roll saxophone today is King Curtis, who came onto the New York scene shortly after the rock and roll movement got into full swing in the mid 50's. Of coarse you've heard his sax on many hit records from Aretha Franklin to The Coasters and he had many of his own as well in the 60's.

Unfortunately he was killed tragically at a young age. For me, his was the quintessential rock and roll saxophone

Rock on
JF

Johnny Ferreira is an award winning saxophonist, international touring and recording artist. Advocator of saxophone music that rocks, jumps, and swings. For more information, music, and articles including audio samples visit http://JohnnyFerreira.com

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Las Vegas stands as one of the favorite destinations for holidays in the U.S The lush tropical setting of the place sets the mood for a perfect holiday. This is accentuated by the wide variety of holiday's shows

Las Vegas holiday shows feature concerts, lights and decoration displays, shopping events, special radio programs and entertainment events.

There are special light display ceremonies to officially begin the holiday season. People can view the spectacular and dazzling display of lights organized in the parks. For music lovers, there are grand music fests, featuring live shows by music bands. There are fashion shows sometimes characterized by the attendance of local celebrities. The celebrities grace the audience by allowing them to take pictures with them.

Other holiday shows are holiday parades and holiday performances, at main entertainments points by magicians and strolling entertainers. An interesting feature of these performances is the distribution, of the shopping gift cards to the delight of the holidayers.

Then there are community holiday events, the proceeds of which are used for charitable purposes. Local music choirs and dance troupes, participate in these dance and music events. People with a passion for dance can participate in the special holiday balls, organized by different hotels and lounges.

Las Vegas offers a unique holiday shopping experience, featuring a wide range of shopping malls. For instance during Christmas, the shopping concept of Mr. or Mrs. Santa assisting people in buying, makes the whole experience endearing and enjoyable.

The organization of sporting shows, is yet another attraction for the visitors in general and sports lover in particular. Other entertainment activities include fashion shows, fine art festivals, and carnivals.

Some of the holiday shows focus mainly on kids and host fun projects for them. The projects encourage kids to be more creative, by making different objects of their choice and also enjoy puppet shows and movies.

Las Vegas, holiday shows caters to the needs of all types of people and provide a wholesome holiday package .The events and the activities, give much needed respite to millions of people and make their holidays pleasurable and memorable.

Las Vegas Shows provides detailed information on Las Vegas Shows, Las Vegas Show Tickets, Best Shows in Las Vegas, Discount Las Vegas Shows and more. Las Vegas Shows is affiliated with Las Vegas Golf Packages.

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Leadsinger LS-3C07 R&B, Motown, Latin Cartridge for LS-3000 Series Karaoke System (200 Songs)

200 songs for your Leadsinger LS-3000/LS-3700 portable All-In-The-Mic karaoke system / Contains songs from Stevie Wonder, Nat King Cole, Enrique Iglesias
Customer Review: Great Karaoke System
This cartridge adds 200 songs to the basic system. I has a good variety of music that I like. I highly recommend it.

Dawson's Creek Music Reference Guide
Dawson's Creek guide and community for the music from show. Lyrics, song clips, polls, and more.
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Dead Kennedys
Official site for the classic punk band the Dead Kennedys, with news, pictures, lyrics, tour dates, and more.
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Musipedia
Open music encyclopedia with options to search for contours and rhythms.
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The Fourth Single from the Group's Multi-platinum No. One Album "x and Y" Includes the Title Track Produced by Tom Lord-alge and a Live Version of "How You See the World" Recorded at London's Earl's Court.

Marion Meadows, the richly talented Smooth Jazz artist has released his latest album titled Next To You and Wow! Its really a good one.

I wish it werent the case but, its not everyday that I get a CD from an artist that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just cant force myself to get through. Not at all the case with Next To You. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

The nice thing about a CD like this is when the talent is this rich even if Smooth Jazz isnt your favorite style you still cant help but appreciate the greatness of the artist.

Overall Next To You is excellent from beginning to end. One of those CDs that after a few listens the songs are just etched into your memory. A must have for the Smooth Jazz fan. Really sensational from beginning to end.

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 10, It's Alright Now. Good stuff!

Next To You Release Notes:

Marion Meadows originally released Next To You on Sep 26, 2000 on the Heads Up Records label.

CD Track List Follows:

1. Miami

2. Carousel

3. Blue Cactus

4. Next To You

5. Look Inside

6. The Dance

7. Any Time Any Place

8. No Rhyme, No Reason

9. Spend My Life

10. It's Alright Now

11. La Samba

Personnel: Marion Meadows (soprano, alto & tenor saxophones); Norbert Stachel (flute); Jay Rowe, Peter Horvath, Michael Beardon (piano); Ray Obiedo (keyboards, guitar); Dave Matthews, Barry Eastmond, Yasha Barjona (keyboards); Julio Fernandez (acoustic guitar); Tariqh Akoni (electric guitar); Marc Van Wegeningen, Curtis Olson (bass); Peter Michael Escovedo, (drums, congas, timbales, percussion); Pete Escovedo (guiro); Michael Spiro (shaker, triangle). Producers: Yasha Barjona, Ray Obiedo, Barry J. Eastmond. Engineers: Yasha Barjona, Ray Obiedo, Barry J. Eastmond.

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Leadsinger LS-3C07 R&B, Motown, Latin Cartridge for LS-3000 Series Karaoke System (200 Songs)

200 songs for your Leadsinger LS-3000/LS-3700 portable All-In-The-Mic karaoke system / Contains songs from Stevie Wonder, Nat King Cole, Enrique Iglesias
Customer Review: Great Karaoke System
This cartridge adds 200 songs to the basic system. I has a good variety of music that I like. I highly recommend it.

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Customer Review: Here's a follow-up I got excited about...
... And then came the disappointment. Having been a big fan of David Ryan Harris's old funk/rock band, Follow For Now, and then loving his self-titled solo effort (and the related Four Songs sampler EP), I was intrigued to learn of three other solo albums after his mostly disappointing effort with the band, the Brand New Immortals, and their only album to date, Tragic Show. Based entirely on the strength of FFN and DRH, I forged blindly ahead and ordered copies of Soulstice and Atlanta without hearing a morsel of either album, and pre-ordered Harris' yet-to-be released CD, Bittersweet. With Soulstice, Harris forsakes his early funk/soul/rock roots, instead planting himself firmly in the dreaded 'singer-songwriter' mold. The bio on Harris' MySpace website indicates the direction he's going, with this pretentious bit of self-promotion: "David Ryan Harris is on a quest that has an almost mythological dimension to it. Armed with a voice that falls somewhere between Stevie Wonder and Donny Hathaway, songwriting that combines beautiful haunting melodies with sharp storytelling and guitar playing that is blues influenced and rock sharpened, David has been searching for the truth in music." Etc., etc. Well, with my first listen under my belt, I can honestly say there isn't anything memorable here, at all. Missing are the crunchy guitarwork, soulful vocals and groove-inducing songwriting from his early work. Instead, each song on Soulstice blends into a bland whorl of uninspired, folksy, strum-strum-strummed chord changes, awfully rhymed lyrics and flat vocals that left me wondering if I made the right decision to buy Atlanta, and whether or not I should cancel my pre-order for Bittersweet. In the meantime, I'm going to give Soulstice another listen, see if it grows on me. Who knows - maybe it will. Stranger things have happened. Then I'll listen to Atlanta as soon as it arrives, and I'll get back to you. Until then, three stars is as much as I can muster for this one...

Full Moon occurs when the Sun and Moon oppose each other, and this opposition between the two big luminaries of the sky creates a certain unbalance. It's like we're in the middle of a strong magnetic field and loose balance as soon as we try to move out. We tend to have accidents - whether it's a fall or a car crash. On a full Moon night I slipped on a patch of ice in the street, fell and broke my arm. Not unsurprisingly, when I arrived at the hospital the surgeons were really busy - there had been two traffic accidents that afternoon and evening. A friend was attacked by a mad dog, thrown to the ground and broke her hip on a full Moon morning.

Another effect of the tension of the full Moon is violent outbreaks. Especially where there are religious and ethnic conflicts, like in northern Ireland and the Middle East, there tend to be a peak in violence close to full Moon. And watch your own irritation level at full Moon! Isn't this when you easily snap at your kids or husband, or generally tend to feel tense? It's common to suffer from insomnia by full Moon and I've found that people with a strong Moon influence in their natal chart, for instance a person with the Sun, Moon or ascendant in Cancer, is more likely to not be able to sleep. We all know the word lunatic. It comes from the Latin word for Moon, luna. Someone who's lunatic is full of full Moon. Restless, nervous, tense, violent, angry. Mad, mad, mad. French law used to excuse a person who committed a crime at full Moon. (Or at least so rumours say). It was like he wasn't quite at his senses - and it wasn't his fault.

The full Moon was to blame. Actually, the word mood in French, lun also origins from Latin luna. So they say a person is in bad or good moon, not mood. Very accurate!A person who's born at full Moon will have Sun Moon opposition in the natal chart - which is a bit like carrying a full Moon inside you. The person tends to be restless and always discontent, never satisfied, wanting something, not knowing what. But this frustration also creates a strong drive, and subjects with Sun Moon opposition are very often great achievers. Finally, it's just a myth that more babies are born on full Moon! A study of several thousands of births in the hospital in my hometown Trondheim showed no connection between the phases of the Moon and births. Thank God, I'd add. We don't want too many people in this world with Sun Moon opposition in their birth chart - that would just lead to too much stress, tension and violence!

Written by Tove Cecilie Fasting, writer and webmaster at Your Fabulous Life, the spiritual woman's guide to health, wealth, happiness and gorgeous handbags.

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