Monday, August 4, 2008

Buena Vista Social Club

Ry Cooder's name has helped bring attention to this session, but it's the veteran Cuban son musicians who make this album really special. Reminiscent of Ellington in its scope and sense of hushed romanticism, Buena Vista Social Club is that rare meld of quietude and intensity; while the players sound laid-back, they're putting forth very alive music, a reminder that aging doesn't mean taking to bed. Barbarito Torres's laoud solo on "El Cuarto de Tula" is both more blinding and more tasteful than any guitar showcase on any recent rock album; a quote from "Stormy Weather" and some very distinct parallels to Hawaiian styles remind us of why it's called "world music." --Rickey Wright
Customer Review: Essential for any music collection
I am a fan of many types of music including jazz, rock, dance, blues, bluegrass, classical, world, etc. This is easily one of the top 5 albums ever created, regardless of genre. It is a magical culmination of music, musicians, and timing. If you listen to this (no really, close your eyes and really listen) and are not moved by it, you had better check to see that you still have a heartbeat!
Customer Review: Modern classic
I don't consider my house a home without this album. I seriously put it on repeat. It's one of my favorite to cook and clean to and just leave in the stereo when guests arrive. The DVD of the making of this CD provides a valuable context to what these musicians had been through and make the experience of the album that much more potent for me--I'd recommend the DVD, as well. Ry Cooder does a great job with both.


If you've decided you love singing and want to take it a stage further, you may be wondering if you have enough talent to take singing seriously and have lessons. Don't ask yourself if you're talented enough, ask yourself if you're if committed enough. Consistent practice of the correct techniques is much more important than the vocal abilities you start with. The following tips should help you get started in the right direction.

1. Practice makes perfect, so make sure you put some time aside to practice regularly. How much practice should you do? I suggest at least three times a week for approximately half an hour each. Practice is not singing along to the radio or your favourite CD whilst doing a household chore. It involves being disciplined and focusing on technical exercises as well as songs and knowing what you are trying to achieve.

2. A practice session should always start with a warm-up. Just as a warm up before a sporting event will protect you from injury, a good vocal warm-up will protect your voice from damage. If you don't yet have a teacher, start with a few relaxed breaths, followed by some gentle humming throughout the range of your voice. You could then do a scale or two on the vowel "ah".

3. Don't overdo it! When you are starting out, you should keep practice sessions short and regular. It takes time for the muscles to build up strength and practicing for too long at a time could damage your voice.

4. If you want to increase your range, do it through vocal technique exercises, not by choosing a song that is beyond your present range. This will only increase your chances of damaging your voice.

5. Shouting or screaming can hurt your vocal cords, so don't do it! It's much more important to keep your body and face relaxed than to try and make a lot of noise. Vocal power should be built up gradually.

6. You can practice singing lying on the floor. This will support your back and may even seem easier. When you stand up to sing, imagine being supported from behind you.

7. It takes about 10,000 times before a muscle gets used to doing something different. Therefore, keep practicing your singing - your voice needs the exercise.

Learning to sing is about finding your own voice - don't worry about trying to sound like anyone else. Even if you haven't got a teacher, regular practice with gentle warm up exercises, gradually increasing your range can do wonders for your voice. I hope these singing tips will help you on your singing journey.

London-born Helen Astrid has a remarkable knowledge and talent for teaching people how to sing, from complete beginners with stage fright to professionals in the music industry. In her latest book, Singing Tips at your Finger Tips, she reveals cutting-edge techniques which will not only improve confidence, but will transform your voice. For more info and free tips and articles, visit her website at http://www.singingtipsatyourfingertips.com

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The 'trois Gnossiennes' (1890) is a set of dance-like pieces of similar character, like the earlier composed 'trois Sarabandes' (1887) and 'trois Gymnopdies' (1888). The 'trois Gnossiennes' were first published by Satie as a set through Rouart, Lerolle & Cie. in 1913.

The Gnossiennes continue in the minimalist style of the Gymnopdies but add ornaments that give the pieces a destinctly oriental feel. Although the pieces are obviously composed in a 4/4 time signature, Satie did not indicate it in the score. He also omitted barlines, leaving one big "bar" for the entire piece. This gives the impression of great freedom for the pianist. The comments written above the score, like 'Du bout de la pense' (from the tip of the thought) and 'Postulez en vous mme' (wonder about yourself) also give much room for interpretation. This has proven to be true since there are few pieces in piano literature that have been interpretated in such diverse ways as the Gnossiennes.

The name 'Gnossiennes' can be explained in multiple ways. The ancient Greek word for 'knowledge' is 'gnosis'. Gnosticism was the name of a religious-philosophical belief which has its origins in Greek philosophy as well as early Christian and Jewish Apocalyptic thoughts. In this belief 'Gnosis' stands for 'True knowledge', which is supposed to lead man to true emancipation. Gnosticism also played a great role in the beliefs of Josphin Pladan's (1859-1918) 'Rose et croix' sect. Satie's collaboration with Pladan led him to take an interest in partly-heretical views. It is possible that the title of these works is an hommage to gnosticism.

The most common explanation however is that the title refers to the ritual dances performed by the inhabitants of the island of Crete, with its capitol city Knossos, famous in Greek mythology for the story of its labyrinth, Theseus and the minotaur. In 1890 Crete was in the news because of archeological excavations. Other works by Satie from the same period were named after dances as well. Namely the 'Sarabande', a dance which was first introduced in Portugal in 1586 and the 'Gymnopdie' which has its origins in ancient Sparta. Even so, it is very unlikely that Satie, a member of the 'Rose et croix' from 1891 to 1892, was unaware of the gnosticism relation when the second Gnossienne was first publicly performed in 1893.

In 1967 french composer Robert Caby (1905-1992) revealed many of Satie's posthumous and often untitled works, taken from sketchbooks and manuscripts. He named three of these pieces Gnossienne. These became Gnossienne 4, 5 and 6 respectively. The piece known as the fourth Gnossienne was composed in 1891, the fifth in 1889 and the sixth in 1897. These pieces were first published in 1968 by ed. Salabert.

Joffrey Wallaart started the Piano Society website to give the public easy access to classical piano music.

http://www.pianosociety.com

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I don't mean to alarm anyone and I certainly don't mean to be an extremist, (Okay, the article on the destruction of mankind as we know it may have been borderline) but there is a rumor that, if true, could cause extreme havoc in the community and the release of thousands of people taking to the streets and screaming at the top of their lungs, like in a bad Japanese monster flick. I'm speaking about, of course, the return of Disco!

I know. I know. Those of us who lived through it, back in the 70's remember, all to well, the metamorphosis that took place in our culture. It was a little more than three decades ago that the onslaught of music, with the open and closed cymbal, made people dress in very bizarre fashions and forced them to go to nightclubs so they could "Shake Their Booty", because "That's The Way They Liked It" (Uh-huh, uh-huh.)

Many of you may have met your future spouses at one of these places, married them, and created your own generation of disco dudes and dudettes. The writing is on the wall, folks. What goes around, comes around and the chance that your offspring might end up in this God-awful craze, could be just a Bee Gees song away.

For those of you who were too (how can I put this delicately?) wrecked to remember anything from the last six years of that decade, here are some telltale signs to determine if a member of your brood is considering becoming trapped in that Black Hole called Disco!

Are they using terms like "funky", "get down" or "bad" when they mean good? Example: Kid - "This hot fudge sundae is bad." Parent - "It smells alright to me." Is their bedroom wall covered with K.C. and the Sunshine Band posters? Have you caught them, in front of the mirrors, practicing dance steps, which include, pointing to the floor and then swinging the arm up and pointing to the sky? Then you've got trouble, my friend, right here in River City. I say, trouble and that starts with "t" which rhymes with "d" and that stands for Disco!

It's amazing the impact those five letters had on our everyday lives; not only in music, but in fashion, too. Who will ever forget bellbottom trousers? I mean, bellbottoms that spread out so wide, Ringling Brothers could have handled a complete matinee under one pant leg and kept a third world country dry under the other one.

The fabric of the 70's was, none other than, polyester. "Poly" from the term "able to stretch like rubber" and "ester" meaning "extremely flammable." (Anyone who has ever dropped a lit cigarette on a pair of polyester pants will know they ignite faster than a Ford Pinto.)

Who will ever forget the popular leisure suit? The universal appeal to this little number was the fact that you could get married in it and, later that afternoon, Velcro a number on the back and play shortstop on a league softball team. Under the jacket would be worn a very loud and decorative shirt with wild colors, crazy patterns, and lapels wide enough to land a troop transport on them.

To cap off this lovely ensemble there was a piece of fancy footwear called the platform shoe. The purpose of these shoes were to allow people, intent on suicide, the opportunity to do it at any given time. The victim would stand on top of these shoes, while a crowd would gather below and chant, "JUMP!" Later, after they went out of style, platform shoes were used to raise houses in low-lying, flood-prone areas.

So, if you feel your children may be falling into this dreaded trap, there is help. Pick up the phone and dial 1-800-DSCO-STNKS. Operators are standing by now to talk to your child about Generation X (or Y, or whatever letter they're using this month) and play music dated no later than 1969.

Remember, help is just a phone call away.

CarlMegill
http://www.purpleslinky.com/Humor/Disco-Alert.83451

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Why are we so stressed, why are we so full of anxiety these days? Is there so much pressure on us these days that we have to conform to every one else in society that we have forgotten who we are as people and that we have forgotten what we want in our life.It seems life of today is just one big competition of keeping up with the ego.

The media of today are always throwing so many ads on TV on how you can get this great car, stereo, Plasma TV, house, house extension or just more money and buy what you want for this interest free period and how easy it is to get ourselves into more debt. Then theres more stress and anxiety in our lives because of debt.

People of today have forgotten how to think for themselves, they spend so much time in front of the TV that they dont have to think, its all put in front of them. There are so many subliminal messages coming from the TV. Go do a search on subliminal messages on the TV; you would be surprised on how you are being programmed. Do you want to be programmed?

How about giving up TV all together. I gave up TV 4 years ago now and dont miss it at all. I gave up newspapers and radio. Now I dont have the media portraying to me how I feel today I make the decision how I feel today. People ask me but how do you know whats going in the world? If I really want to know I can look it up on the internet and I read the story for myself, you always know whats going on around the world but you know what you want to know not what the media thinks you should know. Yes we do have choices and options in this world and if we are in control of what is being fed to our brains then the less anxiety and stress we are going to have in our lives because we are taking control. Wouldnt it be an interesting concept that if we had a no TV for a week campaign.

So what do you do instead of TV, how about some music, think about it, when one of your favorite songs come on the radio how do you feel, you feel great and you smile. Then there are other songs that can make you feel sad. So if music can do that to you what is TV doing to you. So for a week try playing all your favorite music every night for a week, play music that is relaxing while you unwind from work and eat your dinner dont watch the news.

Then after dinner you can play high vibration music and turn it up loud let the music vibrate through your body dance around the house and sing, the worst that can happen while youre doing this is you will probably let go, let go of what? Well thats it isnt? Let go of all that doesnt really matter anyway and you will feel good again and thats what is important its about you not anyone else. Learn to let go its the only way to go in getting rid of stress and anxiety in your life.

This article was written by Cynthia Kerry for more information on how to conquer anxiety in your life and a list of high vibration music you can play to let go: http://www.anxiety.guide-7.com

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Subscription-based satellite radio service is at the forefront of the US music market. Long gone are the days when people when the only option was in choosing from just one or two measly stations that had poor reception and overbearing, irritating disk jockeys and commercials!

However, local radio stations generally don't fear the satellite radio revolution, predicting their survival in much the same way basic television has survived, despite the emergence of cable in the 90s. There's a lot to love about satellite radio and it's no surprise that Sirius Radio is ranked no. 1 Fastest Growing Company for 2007 (by Deloitte Technology).

First of all, satellite radio provide you with a high-quality digital signal that can transcend geographic borders by beaming down from three geosynchronous communications satellites orbiting around the Earth. Many channels feature CD-quality sound, static-free.

Secondly, subscribers have the choice of over 130 different satellite radio channels, ranging from various rock sub-genres to several news radio sources. This is great news for people who regularly listen to alternative sub-genres like Punk Rock, Death Metal, Christian Rock or Electronica! Satellite radio blends the best of both worlds - the specific ambiance of a CD, with the consumer's need for exposure to new music in fact it seems that new stations are popping up on a weekly basis.

Electronic Music Fans will prefer the Sirius radio service if they'd like a Breakbeat/Old SKool station, in addition to the usual Trance/Progressive stations that both satellite radio services provide. XM Radio has exclusive rights to acclaimed BPM, but Sirius has a special Dance Hits station.

The third benefit - that's worth its weight in gold - is that there are NO commercials! It may be hard to believe that 100% commercial-free radio exists, but for just $13/month, you can evade the constant interruptions that plague your morning and late afternoon commutes. Satellite radio is the obvious choice for truckers, delivery drivers and long road trips.

However, the fact that satellite radio costs anything is still a deterrent to many frugal individuals. Therefore, there will always be a market for regular local broadcast stations. At this point, it can be a hassle to go to the electronics shop and get satellite radio receivers for home use or for your car, having said that there is a huge range of satellite receivers and radios for the home and car on many internet sites.

In the future, satellite radio will become the standard and most new cars will already have it installed. Maybe then the real revolution will begin.

Arnold Hexden is known for his interesting articles. Find out more about XM Radio Equipment by visiting XM Radio Equipment or visit http://www.xm-satellite-radio-auctions.com

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Two of my favourite Ballroom Dances would be The Jive and The Samba.

The Samba is a composition of several different South American dances that were practiced by slaves bought into Portugal in the 16th century, like the Catarete, Embolada and the Batuque. These dances were considered vulgar by the Europeans and one of the dances, the Batuque was so popular that it was outlawed. The Batuque was danced in a circle with steps resembling those of a Charleston with a solo dancer in the center of the circle.

Eventually, carnival steps were added and the dance was modified to use the closed ballroom position and considered a proper dance by the Europeans.

The Samba appears to be a combination of all these dances (and probably others) and is danced to a heavy hitting rhythm and its main moves are walking and side steps and incorporates a lot of hip action. For this reason, it is thought that The Samba a perfect party dance.

In the Samba, Ballroom Dancing Judges look for accuracy and passion in the Volta (crossing in front of the body), the Samba Roll (moving the upper body in a circular motion while going through a six step turn) and the Botafogo (traveling walk that includes a direction change). Judges always look for outstretched arms and the distinctive climax of the Samba where the dancers throw their heads back and their arms are splayed out to the side.

The fastest of the Latin Dances, The Jive is believed to have originated in New York's Harlem area although some believe it originates in the southeast United States.

The Jive is a face paced, rhythmical dance which has been influenced by other styles including Boogie, Rock, African American Swing and the Lindyhop. The Jive is also known as the Cake Walk, because in the late 1800's the Negroes in the south held competitions where the prize for the best Jive was a cake.

Although dancers appear to have their legs and feet flying everywhere when performing The Jive, they're feet are directly under the body with the knees always close together. The woman is twirled a lot and there are a lot of kicks.

The Jive is generally performed to music known as Ragtime. The reason the music is called Ragtime may be because the dancers dressed up in their finest clothes ("rags") or because the syncopation of the music giving it a ragged feel.

Both the Jive and The Samba are wonderful dancers that are a joy to watch.

About the Author

Charly Leetham has an abiding interest in Ballroom Dancing with both of her children undertaking Ballroom Dancing classes and performing exceptionally well.

Learn More About Ballroom Dancing

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