Rosetta Stone V3: Spanish (Latin America), Level 1

Why is Rosetta Stone the world's No. 1 language-learning software? Because it works.

Escape the endless tedium of translation, memorization, and grammar drills. Get the language you want, the skills you need and the success you deserve by learning a new language naturally--the same way you learned your first language.

	The complete immersion environment puts your native language-learning skills to work, eliminating your dependence on tedious translation and rote memorization.

	Images		Intuition
	In Rosetta Stone you learn the meaning of new language from clear, real-life images. In this activity you learn colors.		You advance using language you've learned and clues from new images. That's your intuition at work. Now that you know colors, you can easily grasp the meaning of the new words...
	Interactivity		Instruction
	Throughout Rosetta Stone, you constantly interact with the program to confirm your intuition. ...and then check what you've learned.		From beginning to end you build systematically toward your language-learning goals, for the most effective and enjoyable instruction anywhere. And finally, you get the fun of trying your new language in a real-life simulation. Speech recognition shows you exactly how you're doing.

You learned your first language without translation.
You learned your first language easily and naturally by connecting words to objects and events around you. With Rosetta Stone, learn a new language the same way: using native speakers and thousands of real-life images to help you think in the new language from the very beginning. Studies show that learning exclusively in the new language, without translation as a crutch, is crucial.

The exclusive Dynamic Immersion method reinforces your natural language-learning skills with award-winning instructional technology. Identify your learning goals, then choose customized courses that take you there.

The timeless immersion method, along with research-based techniques and new technologies, make Rosetta Stone the clear solution to your language-learning needs.

What will you be able to do?

Understand everyday language.
Through Rosetta Stone's proficiency-based listening and reading activities, you'll learn quickly.

Pronounce words correctly.
After practicing with Rosetta Stone's speech recognition and analysis tools, pronunciation will come easily.

Speak without a script.
Contextual Formation makes sure you have the confidence and cues you need to get the words out on the spot.

Spell and write accurately.
You'll build gradually from letters to words and sentences.

Engage in real-life conversations.
With Milestone activities, gain confidence using speech alone in simulated situations.

Retain what you learn.
The unique Adaptive Recall reinforces language so it sticks with you in the real world.
Customer Review: Very Simple to Use
Rosetta Stone is very simple to use. However having a Spanish book, or obviously a native speaker to supplement the software would make it much more effective. This is because of being tossed directly into the language without a clear translation leaves the door open for some confusion. Overall a great interactive product that is a strong foundation to start learning a new langauge.
Customer Review: YOU NEED TO KNOW THIS
You cannot legally sell this software when you are done with it. They threatened to sue me when I did - they said I had not bought the software, but a license for the software and it was nontransferrable - that I did not have the right to even GIVE it away.

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Into the Light World Tour

Captured during a two-night stand at a Dutch arena, this 100-minute concert special documents Gloria Estefan's lavish 1991 world tour, which underscored the Cuban-American singer's graduation from acclaim as a dance-floor diva to the ranks of female pop superstars. At its best, Into the Light World Tour displays the relentless energy, personal warmth, and crack musicianship that Estefan and her husband, producer, and principal collaborator, Emilio Estefan Jr., had evolved through her old band, the Miami Sound Machine, and taken uptown through her solo career. When the star and her band kick into high gear, percussion simmering and horns blazing in taut, deftly arranged choruses, the propulsive lure of salsa is hard to resist.

Technically, Estefan is a singer with a supple tone but modest range, hardly suggesting the caliber expected of a bona fide diva. Neither does her small, compact frame suggest a dancer's physique, despite the production's reliance on extended dance sequences. Yet she makes the most with what she has, harnessing formidable physical energy and transmitting considerable warmth to her audience. Her material, including both Miami Sound Machine hits and subsequent solo signatures, works best when staying closest to her roots, riding the giddy syncopations of uptempo Latin rhythms, or plying the lambent emotions of traditional ballads. Her exhortations to dance--"Get on Your Feet," "Conga," and "Rhythm Is Gonna Get You" being the inevitable faves--work handily with an ecstatic audience.

More grizzled viewers should be forewarned that this, like most recent concert films, isn't purely documentary--apart from backstage sequences that duly flatter the star, the live sound has been liberally sweetened during post-concert production. --Sam Sutherland
Customer Review: A great concert
I never actually saw this video. I was at the concert. The concert was awesome, so if this video does a decent job of capturing it, then it should be great too.
Customer Review: Gloria is the best and so are her concerts
Gloria is the best singer ever. On stage she's a divette. She's the best and so are her shows. The way she sings live is great, and so is her dancing. The band is great too. They know how to play and everybody goes wild in the audience!!!!!!!Always!!!!! I love her with all my heart and soul, 4 ever.....

Ballet is an art and it is different from other dance forms. Ballet is a specific dance form and technique. Many historians list dance as the oldest of the human art forms. When looking at dance it is very structured in its movements, when dance is set to a musical score for rhythm, you are able to see how the physical movements translate into joy and happiness. The movements of ballet beautify and create gracefulness throughout your limbs and body. Enchanting and graceful with unbelievable steps, ballet is an extremely difficult dance to learn perfectly.

An important part of the ballet dancers equipment is the ballet shoe, while the shoes are beautiful they are essential and important in the ballet dance. The ballet shoes are designed to be pleasing to the audience and mostly they are designed to function for the dancers. Ballet shoes typically do not last very long and have a short life, but the shoes were designed to help the dancer move with implausible strength and grace while dancing. Pointe shoes, in many ways, can be considered an extension of the dancer. When purchasing ballet shoes keep in mind that leather last longer than canvas, if you do purchase the shoes in canvas you will need to replace them more often. Another decision that must be made for ballet flat shoes is the type of closure on them. When taking ballet classes the teacher or instructor might have color, type and brand requirements, so check before purchasing. When just starting out and learning ballet it is not important to purchase the most expensive shoes, purchase your ballet shoes at a discount store, if you like it you can always purchase more expensive shoes.

Beginning students for any type of activity always look ahead and imagine the day when they will be able to wear pointe shoes. Ballet shoes are not a normal looking dance shoes they have an odd shape and with a flat section in the front of the shoe but they are designed in this fashion to help the dancer stand on their toes. There are several elements involved in the anatomy of a pointe shoe, all of which contribute to its fit and performance. When first starting out in ballet and you will need to purchase ballet shoes, you will not need pointe shoes until you reach a more advanced level..

Tights come in a variety of colors, with the most popular being pink and black. Ballet dancers usually wear either tights or leotards for comfortable body maneuver. The tights that Ballet dancers wear are tight-fitting which allows the fluid movement when the dancers are performing. Specialized ballet tights are often found in plain colors.

From the beginning of time dances such as ballet have been intertwined with music. Without music ballet is nothing more than the empty motions of a ritual. Such schools offer both beginners classes as well as classes for training professionals with live music accompanying instructions and training.

If your children are just starting ballet you might look to see if your town offers classes. Most of the time the town ballet classes that are offered are much more inexpensive than private lessons, and are a good way of determining if your child will like this type of dance.

David Marc Fishman is the owner of bornasuperstar.com The online talent shows for musicians

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The Fourth Single from the Group's Multi-platinum No. One Album "x and Y" Includes a Mix of the Title Track by Tom Lord-alge and a Live Version of "How You See the World" Recorded at London's Earl's Court.

i.e. vs. e.g.

Use i.e. , to re-name, restate, or to clarify, as in, "He fell out of the window, i.e., down." This is an abbreviated Latin term (id est) that roughly translates as, "which is to say..." or "meaning..."

Use e.g., to provide examples, as in, "He liked falling from heights, e.g., out of windows, from airplanes, off of ladders." This is an abbreviated Latin term (exempli gratia) that translates as "For example..."

[And don't forget the comma after either one.]

Data is plural

Example: "The data are complete; we conclude that falling is dangerous." [We hear data used as a singular noun so often that the mistake seems right, but it isn't.]

Like vs. Such as

Use like to show similarities, as in, "He was falling like a rotten tomato that missed the stage."

Use such as to provide examples, as in, "Everything falls at times, such as tomatoes and bodies from windows." [Not: "Everything falls at times, like tomatoes and bodies from windows." Another correct way to say this is "Everything falls at times, e.g., tomatoes and bodies from windows."]

Everyone is singular

Example: "Everyone needs to jump out of his window." [Not: "Everyone needs to jump out of their window." You could use "his or her" to be politically correct.]

Comprise vs. Compose

Comprise means to gather multiple parts into a single whole. A good synonym is assemble. For example, "The band comprised [assembled] many different players." [Not: "The band was comprised of many different players."] Here, you have a whole and are describing its parts.

Compose means to make a whole by putting together multiple parts. A good synonym is create. For example, "The band was composed [created] of many different players." Here, you have the parts and are showing how they are put together to make a whole.

The difference is subtle, but what you need to consider is whether you are emphasizing the whole (the band) or the parts (the members of the band).

Staff is not a person

Use staff to refer to the entire group of employees and colleagues, and it is singular (the plural is staffs). A good synonym is team. For example: "The staff [team] is upset with the pay raise."

Use staff person or staff member to refer to an individual person on the staff. So, you would write, "Six staff members are not coming to work today." This refers to the individual people. If you want to refer to the entire staff at once, you would write, "The staff is not coming to work today."

David Bowman is the Owner and Chief Editor of Precise Edit, a comprehensive editing, proofreading, and document analysis service for authors, students, and businesses. Precise Edit also offers a variety of other services, such as translation, transcription, and website development. Click here for more information about Precise Edit's services.

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LP RhythMix 6-pc. Rhythm Kit Set

2 yrs. & up. The amazing variety of great sounding instruments is everything a child needs to create a complete rhythm section! Perfect for a single child or a parade full of children, this great kit includes a handled drum, jingle stick, triangle, tone block, two Chick-itas, two mallets, and a child-sized backpack for convenient storage. Complete with musical activity booklet.

Angel Melendez & The 911 Mambo Orchestra - Supersonic EPK
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Hilda Lamas - Latin / Pop / Rock
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Morfeo.com Radio network with more than 150 radio stations all in one state-of-the-art network streaming their audio from Latin America and Europe. ...
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Stream101 Radio Network
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LP RhythMix Mini Bongos

Our Rythmic Bongos are two-headed drums that produce hearty, authentic sound. They stand 6" tall, with 4" and 5" diameter sturdy synthetic heads - like two drums in one! Includes a musical activity booklet. Ages 2 and up.
Customer Review: Not easy to play with bare hands and too pricey*, but not all bad
Trying to play these myself, I have to play pretty forcefully to get a decent pitch. It's not nearly as easy to play as a better quality, non-toy version of bongos, but then, it's a whole lot sturdier than a quality wood & skin drum. The colors are vibrant and very appealing. These have withstood the abuses heaped on them by my kids from their toddler through preschooler years, and still look great. Buy a pair of mallets or drumsticks to go with these: it makes it a whole lot easier to play, and gives children more immediate gratification. *The "too pricey" comment was made when these were retailing at $35. The new list price of $20 seems much more reasonable, and a real bargain at the sale price of $13.99!

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Exitos Radio - Our Most Popular Latin Music at Batanga
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Music is undoubtedly a form of communication and/or expression. Coincidently, the skills of improvisation are certainly related to the dexterity and formalities that are imperative to accomplishing your role as a communicator. Therefore, as you are preparing to become a musician, improvising will firmly assists with your development of the overall perception and understanding of musicianship.

Improvisation often focuses on the recognition of one's personal awareness, into the present moment. The skill also enables the development of a profound understanding of the action that one is currently displaying. Once you are aware and understand the concept, you will be provided as the practitioner with a sense of belief and accomplishment.

As a practitioner you will display pure confidence in which you are able to execute with a range of options that best conforms to the current situation regardless of previous successes or failures. Quite frankly, the practice of improvisation symbolizes acting and reacting, making and creating of "in the moment" response to the stimulus of one's immediate environment.

In music, specifically, improvisation is spontaneous composition. The performer is challenged by performing music that is composed at the spur-of-the-moment. This is usually achieved through solo or cadenza. Improvisation has actually dominated in Jazz musicals. The challenge of improvisation is not to be confused or compared with technique. The two concepts are different in that improvisation is described as a creative performance art.

On the other hand, technique or sight reading is a reconstructive process. It is noted, however, that as both technique and improvisation require that you react immediately to any changes needed to the music in response to stimuli, they do demonstrate primary differences. Namely, the process is executed externally for successful sight- reading and internally to execute improvisation. Furthermore, they both are greatly enhanced by a strong musical knowledge base.

As a musician, you will be able to identify how your audience is responding to you. You can use specific musical "cues" to communicate with the audience during a performance. Furthermore, during the performance, the initial musical piece may be altered to establish an emotional connection. Subsequently, you will have succeeded in the art of improvisation. Improvisation can take place as a solo performance or interdependently with an ensemble with other players. When done well, improvisation often elicits gratifying emotional response from the audience.

Musical improvisers often understand the language of one or more musical styles such as blues, rock, folk or jazz. In order to be successful, you must realize that practicing this art is intense and requires great focus. The musicians are expressive in that they have the ability to precisely illuminate creativity and originality. To successfully explore different methods of creating your own music, you should experiment in low- risk situations. You must listen carefully for your feedback to discover what does and does not work well. This will assist you in gaining valuable experience. Making your own music requires you to focus through relaxation, listening and ultimately learning.

To get started you must simply experiment with a variety of melodies, rhythms and moods. Of course, melody is the variation of the basic theme of music. To use improvisation to alter the melody you must attempt to change some of the original notes of the main theme. You will also be able to improvise the harmony as well as the rhythm. The rhythm, for example, simply requires you to experiment with the notes by making them longer or shorter or adjusting the tempo by making it slower or faster. Incidentally, very few musicians have ever risked presenting fully improvised concerts. However, there was one successful attempt by Keith Jarrat.

Techniques of improvisation are widely trained in the entertainment arts, such as music, theatre and dance. It can be expressed across all artistic, scientific, cognitive, physical, academic and non- academic disciplines. Musical improvisations require active listening and perseverance.

Basically, it is the creation of music in the real time. "Real time" is developed by listening carefully while enjoying and inevitably discovering the skills and techniques of improvisation. It usually involves focus and advanced preparation especially when there is more than one performer. Subsequently, improvisation results in a composition, a creative discovery.

More so, as the composition is reiterated over time in the same form, it becomes quality and pleasant music to its listeners. Therefore, with the establishment of a composition, all skilled composers are skilled improvisers. Perhaps, to study the skills and techniques of improvisation will encourage and enhance your pursuit for musicianship. Thus, the idea of executing an improvisation in a fixed musical form has always held attraction.

Kevin Sinclair is the publisher and editor of MusicianHome.com, a site that provides information and articles for musicians at all stages of their development.

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By the 1940's the saxophone was a well established and very popular instrument in both classical and jazz music. As the 40's brought more musical styles like jump blues, rhythm and blues and rock and roll the instrument would become even more important and play a major roll in the new sound.

Illinios Jacqeut was a very good swing jazz player and like many others he was drawn to the new sounds. He was only19 years old when he worked with Lionel Hampton's band and recorded his famous solo that started others honkin' and screramin' to start the beginning of the rock and roll saxophone.

One kid he inspired was Big Jay McNeely who took the honkin' over the edge and made a show of it... laying on his back, strolling into the crowds and walking on top of bars. (That's where the term "honkers and bar walkers" came from. That's a good cd compilation series featuring other rock and roll saxophonists)

Ahh... those crazy kids. This was a new generation, born in the 20's right around the time Louis Armstrong and Coleman Hawkinswere coming on the scene. They probably thought these guys were nuts, but they fuelled the bands and drove the audience crazy with their energy.

Honkin' and screamin' aside, the saxophone, especially the tenor was sounding big and raunchy like never before. Guys were growling more and making it squawk and really wailin'. The honkin' was a fad that passed quickly but it helped to take the sax to another level of popularity, The rock and roll saxophone sound was now mandatory in all the jump, R&B, and rock and roll bands.

This new sound of the 40's rhythm and blues produced many rock and roll saxophone stars. Besides the ones I mentioned above, here's a few others; Joe Houston, Red Prysock, Sam "the man" Taylor, Lee Allen, Willis "gatortail" Jackson, Louis Jordan and King Curtis.

"Tenor battles" were popular as soon as you had a couple greats at any given time, like Coleman Hawkins with Lester Young, or Red Prysock with Sil Austin, and two of my favorites Sam Taylor with King Curtis.

Most of these guys were coming from the swing scene as well but were involved with their own R&B / rock and roll groups or were sidemen to star singers like Little Richard, Fats Domino, Wynonie Harris, and Ray Charles.

Without a doubt, one of the most influential for us guys playing any kind of rock and roll saxophone today is King Curtis, who came onto the New York scene shortly after the rock and roll movement got into full swing in the mid 50's. Of coarse you've heard his sax on many hit records from Aretha Franklin to The Coasters and he had many of his own as well in the 60's.

Unfortunately he was killed tragically at a young age. For me, his was the quintessential rock and roll saxophone

Rock on
JF

Johnny Ferreira is an award winning saxophonist, international touring and recording artist. Advocator of saxophone music that rocks, jumps, and swings. For more information, music, and articles including audio samples visit http://JohnnyFerreira.com

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