Tuesday, September 2, 2008

What Makes a Real Artist?

While many carry the artist title because they are part of the music industry, very few can actually pretend to be entitled to the golden crown that makes them real artists.

As far as I can look back, music has always been full part of my life. Growing up with classical music with some openings towards jazz and pop music, I have extended my interest to black music including gospel, soul, blues, and of course, hip hop. I am usually open minded about music, as long as it pleases my ear. However, I am very picky when it comes to define somebody as a real artist. Only the Great who influenced music history deserve to be classified as real artists.

Johann Sebastian Bach is one of those real musicians. His music is an example of hard work. His incessant quest for perfection and harmony characterizes his music. Among the Great, you can count people like John Lennon, Ray Charles, Duke Ellington , James Brown, Eazy E, Nas-and yes- Eminem, whatever his haters might have to object. (This list of artists I mentioned here, is of course, non exhaustive)

Despite the fact RIP Proof was less known from the public than other famous artists, he had all the qualities that make a real artist.

So what is the definition of a real artist?

A real artist, a plain artist is a person who makes music for the love of it, not for the money only, even if he is perfectly conscious that he has a family to feed. A true artist must be inspirational to the listeners. Whatever his message is, people must be able to feel the music and to acknowledge the feelings expressed through the voice, lyrics and instrumentals.

A true artist usually has high requirements regarding the quality of his beats, instrumentals and recorded voice. Never satisfied with himself, he keeps working hard over the years in order to satisfy his public.

A true artist will always put his passion for the music, the will of sharing it and to satisfy his audience before the material aspect of the show biz.

A true artist definitely manages to generate a genuine enthusiasm among his audience.

While being on stage, he becomes the music. He and the audience are one and thats the full beauty of the musical fusion created by dedicated artists and a very receptive audience.

When you hear the song, you must be able to feel the artists feelings and to forget about yourself, because during such moments, there is only place left for the music. Yes, this can happen if the artist is a real, dedicated person towards his art.

When you heard a person like James Brown tell their audience: I feel so good I wanna screeeeaaam, you perfectly know that his words werent made up. There is a wonderful chemistry between such artists and the public. Good vibes are in the air and they penetrate into the mesmerized audiences.

Real artists usually stay humble in front of other great artists. Not only do they possess a good musical culture, but they will never mind quoting other legends. I heard James Brown paying homage to Ray Charles, for instance. So did Nas.

I do consider Eminem as a plain artist, because he changed the face of the rap game. He dared to use different themes than the usual themes used in hip hop and proved to be an astute word acrobat, playing with syllables and foolishly putting words together that you would never see side by side in real life. Moreover, his music touched a lot of people from different backgrounds all over the world.

RIP Proof never failed in naming big influences of his like Kurt Cobain, Jerry Garcia and John Lennon numerous times. One can consider D12 s Proof as a rhyming genius too. He had an amazing sense of realness and more importantly, a great passion for hip hop that wont die away since his
murder on April the 11th, 2006.

The Great in the music have the power to influence generations and usually make history. Even their deaths will never erase their contribution to the music history.

Entire artists are the ones who deserve your respect, because you know, deep inside of you, that they are the ones who live and breathe the music for your ears greatest pleasure. Only those guys will live on through their music over the centuries.

Copyright 2007 by Isabelle Esling
All Rights Reserved

My name is Isabelle Esling. I am an Eminem biographer and a freelance music journalist. I do teach English and German at public schools.

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Recording Acoustic Guitars - an Essay on the Importance of Acoustic Treatment of the Recording Space

Trawling through one internet music recording forum after another (as I often do) is certainly illuminating. The multitudinous posts from earnest recordists enquiring from the experts which microphone, preamp, soundcard, converters, compressor, EQ, reverb - blah, blah, blah - is better than another have a rather dulling effect on my sensibilities before too long. And in truth, I've begun to make a bit of a nuisance of myself at one or two places by interjecting with a recommendation that the poster look to the room before he batters his credit card in the hope that some sparkling new high-end "professional" piece of gear will solve all his recording issues. Sometimes the repost comes back claiming that the initial poster is a hobbyist and is not aspiring to achieve professional results - so why don't I just back off and let the guy/gal spend his/her money the way that he/she sees fit? That's all very well, but it doesn't gainsay the logical flaw in spending in the region of $2k on gear when a similar amount - or much less with a bit of research and DIY - on some acoustic treatment of the recording space would achieve a whole different order of improvement.

At this point I should perhaps confess that it took about a year for me to reach the same conclusion. There's no question that a sexy new microphone with a price tag to suit is far more appealing than buying bags of mineral wool slabs, or even proprietary, pretty looking, sound treatment products. I should also admit that I did read a whole lot online about ways and means, materials and products, and earnest debates between the experts - not all uncontroversial - before I felt confident about doing something about it in my own place.

Most - nearly all - of what I have learned I have learned through advice freely given by experts on internet forums concerned with recording studio construction and acoustics. There are some wonderful step-by-step instructions out there on how to make excellent DIY acoustic treatment solutions that are about as effective as, and at fraction of the cost of, commercial products. There are also detailed explanations available on the causes of problems encountered when recording acoustic instruments in small(-ish) rooms - a rudimentary understanding of which is essential to finding solutions for your own particular room.

Following some of that advice has lifted a veil from my recordings and has enabled me to deliver professional sounding projects resulting in a CD - and sales! So I won't apologise now for my evangelising about the topic whenever I get the opportunity - such a difference has acoustic treatment made to my own projects.

Hobbyist or not, you're better off recording in a field with the cheapest of gear than in most untreated rooms with the most expensive recording equipment on the planet.

So there!

Dave Keir is an acoustic fingerstyle guitar player and songwriter with over 40 years experience of recording, touring and teaching guitar. More information and resources can be found by visiting http://www.dave-keir.com

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Monday, September 1, 2008

Create a Star Wars Birthday Party

Little boys always love a Star War birthday party. Running around and fighting with their lightsabers is all they need to enjoy themselves but you can also devise games and decorate your party to make it really special.

With some tin foil and card you can create a whole galaxy for their imaginations to run wild in and you could create a party your little boys friends will never forget.

Take a look at these ideas

Party Essentials

If you are throwing a party there are a few essentials you always need like plates, cups, goody bags, napkins, invitations and balloons. You can of course pick these up from most supermarkets but if you want to make your Star War party one to remember why not use themed essentials.

You can pick up all your Star War essentials plus streamers, ribbons, table clothes and cutlery all in the Star War theme

Dressing Up

There are loads of star war birthday party costumes your little boy or girl could dress up in from Darth Vader to, Princess Leia, Anakin and Yoda. Dressing up is one of the most fun parts of a Star War Party. You could ask everyone to dress as someone different because there are so many good characters.

Games

Good verses Evil

You could devise a competition for your Star War birthday party between good and evil comprising questions and activities.

Split your guests into two groups (those dressed as goodies and those dressed as baddies). You can have several rounds to this competition as follows:

Question Round

You ask questions and the first team to shout out the correct answer gets a point. You could ask star wars trivia or space questions like what is the nearest planet to the sun? to keep the game in theme with your party

Group Round

This is a little like a treasure hunt. First of all cut out ten pictures of Star Wars characters (goodies not baddies) and stick them onto circles of card. These can be different sizes but should be no smaller than the circumference of a mug. Place these around your garden or house in view but not in obvious places.

Explain to your guests that ten members of the Alliance (Star Wars Goodies) have gone missing. The goodies need to find them before they are captured by the baddies. The two groups must go out and find as many of the missing as they can and they get one point for each one they bring back.

Fight to the Death

This round is the same as musical bumps but you explain that it is a fight, good against evil and the last man standing gets 10 points for his or her team.

Your guests dance around and when the music stops they must sit down as quickly as they can. The last person to sit down is out of the game. The winner gets ten points and their team wins the competition.

Laura Anne Grey is a Party planner from the UK designing and creating childrens parties. You can find more birthday resources and articles as well as free printable birthday supplies at http://www.barneys-printable-birthday-cards.com

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SALSA AEROBICS
Entertainment from TBO.com - Featuring Music , Movies, Arts, Dining, Nightlife and ... SALSA AEROBICS. Event posted July 19, 2007 . Last updated July 19, 2007 ...
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Salsa in the City, Philadelphia - Official Website for Salsa Dance in ...
Music . Interviews. Learn Salsa . Links. SALSA IN THE CITY TAKES YOU ... Amber's 76ers Salsa Performance 2007 . 03-01-2008. Amber's 76ers Salsa Performance 2008 ...
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MySalsaThing.Net
My Salsa Thing provides a fun way to explore Afro-Cuban music and culture ... Make Salsa Your Thing in 2007 . Do you or someone you know love to move, to dance? ...
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2008 Washington DC Salsa Congress - DJ Jose Rodriguez - Philadelphia, PA
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Seor Salsa : Serie Platino by Larry Harlow on MSN Music
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Sunday, August 31, 2008

Could You Live The Life Of A DJ

So you love music and you want to be a DJ. Well before
taking the plunge there are some things you need to
know about how to become a DJ.

Since there is no such thing as a DJ school to teach
you the steps one of the first things you need to know
is that you need to be original and if possible new in
your talent and technique. Talk to other DJ's if you can
and find out how they broke into the business and get
some tips from them. See if they will take you on as an
apprentice so that you can learn.

A person that aspires to be a disk jockey needs to have
a lot a charisma because other than the music a really
good DJ that has appeal is what draws the crowds. So
develop a character personality that attracts crowds.
You need to know when to tune it down as well so that
you do not overpower and lose that attention.

As a DJ you have to be knowledgeable in all genre of
music, just knowing a few hit songs here and there won't
cut it. So you need to make sure to brush up on your musical
intellect by learning about all types of music. The way to
learn the music it is to listen to it...even if it is not
what you personally enjoy, a DJ has to know and have a
lot of music.

Now, you need to realize that being knowledgeable in all
music doesn't mean that you will play all music. You
will need to develop your own style as well. You need
to work on a certain niche of music lovers and be able
to entertain with the right music, whether it be rock, rap,
soul or house music.

You need to have good quality music, so if you are downloading
it from the Internet, make sure that you are using legal sites
to get it from so that you are getting the best quality.

Plan on either renting or possibly borrowing the equipment that
you will need until you are comfortable with being a DJ. The
last thing you want to do is spend a lot of money on expensive
equipment and then find you don't enjoy it as much as you thought you would.
Then ask some friends if you can DJ a party of two for them
for free so you can get your feet wet and see how the crowd
reacts.

An important key you need to remember is that you should
base the music you play on the crowd that you are entertaining.
In other words, don't play rap for a group of elderly
people and don't place bluegrass for a bunch of rockers or rappers.

Learning how to DJ can be a lot hard work as well as fun.
So get out there and make your way in the world of music
and don't forget to have fun while you're at it.

Top DJs don't just play the music they become the dance floor, when they move the crowd moves few other professions in the world can make you feel that buzz...do you want it... get the help you need at http://www.startdjing.com

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Saturday, August 30, 2008

Information About Music Online

Using the internet to find music you like to listen to and build your music collection in any style of music is an easy and affordable way to add to your music library as you can easily burn your own CD's or download mp3's to your iPod or other music player. It is also a great way to find out about current and new artists, new album and single releases, get free lyrics and find free music downloads. The popular free iTunes software and music library allows you to create your own music library, find TV shows, podcasts and get free music downloads and for only $0.99 a song download you cannot really go wrong. Plus there are a lot of websites online where you can find free music videos and mp3 downloads like YouTube, MySpace, Rawkus, CDBaby, Soundclick and so many others.

What does this mean for the future of music? With the everyday consumer buying on average 2 new music albums a month this could have an effect on the music industry but most shops like Virgin, HMV and other well known music retail shops also have online websites which offer even more discounts and sometimes a music community so the music lovers using the internet can only boost music sales.

The internet is also a good place for independent artists without a major record label to upload and promote their music. There are a lot of independent music websites where you can create your own profile, update fans with your news and even sell your own music. The royalty companies like ASCAP, PRS, Harry Fox and BMI also have internet music licenses you can get so that you receive royalties and commissions for all music plays on internet radio stations, and for any music downloads and mp3 or CD sales.

You can even make your own music by buying and downloading music production and creation software you find online to your PC or laptop and if you have a good sound card and microphone you can make and record your own music and beats very easily. In fact, you can find hundreds of free loops and backing tracks you can download and even license for commercial use making it easy for the music producer and songwriter to make their own music.

And if you want to learn about music, study an instrument or get advice on the music industry you can do a search on the internet and find so much free and useful information in articles and on music websites and blogs.

Does this take away the traditional way of making and playing music for the musician? Some think so but you can look at it like this; the internet has opened up the whole globe to us and you can make good music contacts from all over the world and build your own worldwide fan base just by promoting your music online. Music you may never have even heard of has become easily available and the whole music scene and industry has benefited and grown because of internet and satellite communications.

You can see then that using the internet connects music lovers around the world and Cyber Technology has made it easier for the songwriter and musician to create and record their own music. Plus it opens doors for the independent music artist and also increases exposure for major record label artists so that they can build their fan base and sell more of their music.

For more information on finding music online, making your own beats, downloading free music videos, getting free lyrics, buying instruments and production software and generally about the cyber music world visit my blog Cybertunes.

Did you know you can use this article on your blogs and sites for free? Just visit the article web page and copy and paste, there's usually an HTML and text version of all my articles.

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The Growth of Hand Drums

A hand drum is a kind of drum that is played primarily with hands other than using any sticks, mallet, hammer or any type of beater. Frame drum, a shallow, cylindrical shell with a drumhead attached to one of the open ends, is one of the early forms of this kind of drums. Tabla, mridangam etc. are the Indian forms of hand drums.

The types of drums vary from place to place. Like in the Middle and near east Tar, tambourine, daf, dayereh, ghaval, tonbak etc. are found. In Africa the most common form of hand drum is djembe, single headed, large drum, which is goblet in shape. Its other African types are ashiko that is similar to djembe that comes in the shape of truncated cone. While Bougarabou drums are made with cow skin heads.

In Latin America, congas and bongos are part and parcel of every kind of Latin American music. Especially Caribbean and South American regions use congas and bongas both in folklore like punta, rumba and popular music like salsa, latin jazz and others. The conga is a tall, narrow, single headed Cuban drum that is commonly played in Congo. The person who plays a conga is called a congureo. Congas are played in five basic types of strokes namely open tone, muffled tone, bass tone, slap and touch. Bongo drums or bongos are two small drums attached to each other. They produce high pitched sounds and are played holding between the knees with the larger drum on the side. They are played by striking the drumheads with the fingers and palms.

In Far East and India tabla, mridangam are an integral part of music. Not to mention ghatams and kanjiras equally accompany the mridangam in Classical karnatatic music. The term tabla is originated from an Arabic word which means drum. The majority of the tabla performers were Muslims, whose habitat was either near or at the center of Mughal cultural centers like Delhi, Lucknow, Allahabad, Hyderbad and Lahore. Initially vocalists and instrumentalists accompanied tabla players. But gradually they developed a tradition of solo performances.

In Europe the Irish Bodhran sometimes is played with the bare hand. A goat skin head is attached to one side, though now a days new materials like synthetic heads or kangaroo skin, are sometimes used. The other side is open ended, so that the hands could be placed in the drumhead in perfect manner to control the pitch and timber. If we peep in history, we will find that the bodhran was used during the Irish rebellion of 1603 as a war drum or battle drum. The drum is usually played in a seated position, held vertically on the players' thigh and is supported by the upper body and arm.

The hang is the modern kind of hand drum that is played with fingers. The hang is played resting on a player's lap or sometimes on a stand. It was the result of many years of research and study of the wide variety of instruments across the world like gongs, gamelan, ghatam, drums, bells etc.

The world of hand drums is really very rhythmic and melodious. With the passage of time the evolution of hand drum seems to bring a sweet note on the technology driven life.

Victor Epand is an expert consultant for guitars, drums, and synthesizers. You can find the best marketplace for guitars, drums, and synthesizers at these 3 sites: guitars, bass guitar gears, drums, hand drum, and synthesizers, keyboards.

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