The Latin Bass Book

This is a practical, comprehensive approach to learning Afro-Cuban, Brazilian and South American styles of bass playing, featuring 3 CDs of Berklee professor Oscar Stagnaro playing with three different world-class rhythm sections. The book consists mostly of transcriptions of every note Oscar plays on the accompanying CDs. Some amazing music, and logically progressing from simple to complex examples of each style.
Customer Review: What does one say?
This is a MASSIVE book (262 pages!) of latin bass in all it's various styles. We are not talking simple repetive patterns here either, we are talking from moderate to complex lines with excellent notation and a top notch CD set behind it. If you want to learn Latin Bass, you can start here, and stop here, as you won't find more and better probably anywhere else. Although it is not a Real Book, You can think of that kind of setup and variety.
Customer Review: Good intro to latin bass playing
This book is well thought, thorough and enjoyable. Comes with 3 CDs that stand alone on their own, if you don't mind having bass on one side and the rest of the band on the other. This arrangement allows you to pan the track and play along with the band, or focus on the bass line only. I googled some of the guys who play with Oscar in these CDs and they are first rate musicians with impressive resumes (try Rebeca Mauleón). It comes with no tab, but the first bass lines are simple enough so it wouldn't be a bad place to start reading, and once you understand the beats and where the bassline falls, you should be in a good position to read almost anything! The book takes you to a series of concepts that become more complex from track to track in a well thought way, so you build on your understanding of the subject. Probably the hardest part is to keep yourself from dancing while you play along to the CDs! A good purchase.

A hand drum is a kind of drum that is played primarily with hands other than using any sticks, mallet, hammer or any type of beater. Frame drum, a shallow, cylindrical shell with a drumhead attached to one of the open ends, is one of the early forms of this kind of drums. Tabla, mridangam etc. are the Indian forms of hand drums.

The types of drums vary from place to place. Like in the Middle and near east Tar, tambourine, daf, dayereh, ghaval, tonbak etc. are found. In Africa the most common form of hand drum is djembe, single headed, large drum, which is goblet in shape. Its other African types are ashiko that is similar to djembe that comes in the shape of truncated cone. While Bougarabou drums are made with cow skin heads.

In Latin America, congas and bongos are part and parcel of every kind of Latin American music. Especially Caribbean and South American regions use congas and bongas both in folklore like punta, rumba and popular music like salsa, latin jazz and others. The conga is a tall, narrow, single headed Cuban drum that is commonly played in Congo. The person who plays a conga is called a congureo. Congas are played in five basic types of strokes namely open tone, muffled tone, bass tone, slap and touch. Bongo drums or bongos are two small drums attached to each other. They produce high pitched sounds and are played holding between the knees with the larger drum on the side. They are played by striking the drumheads with the fingers and palms.

In Far East and India tabla, mridangam are an integral part of music. Not to mention ghatams and kanjiras equally accompany the mridangam in Classical karnatatic music. The term tabla is originated from an Arabic word which means drum. The majority of the tabla performers were Muslims, whose habitat was either near or at the center of Mughal cultural centers like Delhi, Lucknow, Allahabad, Hyderbad and Lahore. Initially vocalists and instrumentalists accompanied tabla players. But gradually they developed a tradition of solo performances.

In Europe the Irish Bodhran sometimes is played with the bare hand. A goat skin head is attached to one side, though now a days new materials like synthetic heads or kangaroo skin, are sometimes used. The other side is open ended, so that the hands could be placed in the drumhead in perfect manner to control the pitch and timber. If we peep in history, we will find that the bodhran was used during the Irish rebellion of 1603 as a war drum or battle drum. The drum is usually played in a seated position, held vertically on the players' thigh and is supported by the upper body and arm.

The hang is the modern kind of hand drum that is played with fingers. The hang is played resting on a player's lap or sometimes on a stand. It was the result of many years of research and study of the wide variety of instruments across the world like gongs, gamelan, ghatam, drums, bells etc.

The world of hand drums is really very rhythmic and melodious. With the passage of time the evolution of hand drum seems to bring a sweet note on the technology driven life.

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